I've always believed that there is no subject that is taboo for the writer. It is how it is written that makes a book acceptable, as a work of art, o… - Madeleine L'Engle

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I've always believed that there is no subject that is taboo for the writer. It is how it is written that makes a book acceptable, as a work of art, or unacceptable and pornographic. There are many books circulating today, for the teen-ager as well as the grown up, which would not have been printed in the fifties. It is still amazing to me that A Wrinkle In Time was considered too difficult for children. My children were seven, ten, and twelve while I was writing it, and they understood it. The problem is not that it's too difficult for children, but that it's too difficult for grown ups. Much of the world view of Einstein's thinking wasn't being taught when the grown ups were in school, but the children were comfortably familiar with it.

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About Madeleine L'Engle

Madeleine L'Engle Camp (November 29, 1918 – September 6, 2007) was an American writer of fiction, non-fiction, poetry, and young adult fiction, including the Newbery Medal-winning winning A Wrinkle in Time. An Episcopalian, her works for both adults and children are products of her strong Christian universalist faith and an intense interest in modern science.

Biography information from Wikiquote

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Additional quotes by Madeleine L'Engle

When a promise is broken, the promise still remains. In one way or another, we are all unfaithful to each other, and physical unfaithfulness is not the worst kind there is.

How do we teach a child — our own, or those in a classroom — to have compassion: to allow people to be different; to understand that like is not equal; to experiment; to laugh; to love; to accept the fact that the most important questions a human being can ask do not have — or need — answers.

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The rational intellect doesn't have a great deal to do with love, and it doesn't have a great deal to do with art. I am often, in my writing, great leaps ahead of where I am in my thinking, and my thinking has to work its way slowly up to what the "superconscious" has already shown me in a story or poem.

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