Wonder was the grace of the country. - George W. S. Trow

By 1956, out of all the Cultural Avatars and Vectors available in 1950, THE GIRL had won. Authority. (And they had it, those girls; no one today has it.) They’d won the war, in a way.

…the film [Elvis ’56] is moving to me because it shows his vital uniqueness walking—a new kind of old American, innocent, with old American experience, and that’s always been our formula, our innocence, plus a unique kind of experience that other people haven’t had in other lands—walking with all of that, plus physical beauty, into Rear Window—down-the-drain-land.

The work of television is to establish false contexts and to chronicle the unraveling of existing contexts; finally, to establish the context of no-context and to chronicle it.