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" "The official style is at once humble, polite, curt and disagreeable: it derives partly from that used in Byzantine times by the eunuch slave-secretariat, writing stiffly in the name of His Sacred Majesty, whose confidence they enjoyed, to their fellow-slaves outside the palace precincts — for the Emperor had summary power over everyone; and partly from the style used by the cleric-bureaucracy of the Middle Ages, writing stiffly in the name of the feudal lords to their serfs and, though cautious of offending their employers, protected from injury by being servants of the Church, not of the Crown, and so subject to canon, not feudal, law. The official style of civil servants, so far as it recalls its Byzantine derivation, is written by slaves to fellow-slaves of a fictitious tyrant; and, so far as it recalls its mediaeval derivation, is written by members of a quasi-ecclesiastical body, on behalf of quasi-feudal ministers (who, being politicians, come under a different code of behaviour from theirs) to a serflike public.
Robert Ranke Graves (24 July 1895 – 7 December 1985) was a prolific English poet, scholar and novelist. He is most famous for his autobiographical work Goodbye to All That, and works on classical themes and mythology, such as I, Claudius, The Greek Myths and The White Goddess. His father was Alfred Perceval Graves.
Biography information from Wikiquote
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Jason neither agreed nor disagreed, but took refuge in gloomy silence, while Orpheus, who of all the Argonauts was least likely to blunder in the Samothracian ritual, invoked the Triple Goddess in her name of Amphitrite. He poured a jar of olive oil upon the waves, and in her name respectfully called upon the North Wind to cease. For a while the North Wind, whom his sons Calaïs and Zetes also respectfully invoked, made no response, except for a single furious blast that nearly tore the mast out of the ship, but then gradually ceased.