I think it’s easier to honor the male in our culture because it’s much more accepted. There are almost no truly powerful and sustained images of fema… - Joy Harjo

I want to have some effect in the world; I want my poetry to be useful in a native context as it traditionally has been. In a native context art was not just something beautiful to put up on the wall and look at; it was created in the context of its usefulness for the people. (what do you hope your poems do?) JH: I hope that on some level they can transform hatred into love. Maybe that's being too idealistic; but I know that language is alive and living, so I hope that in some small way my poems can transform hatred into love.

When a despot ineptly sought to turn a country to a totalitarian nightmare, where was poetry? It wasn't sleeping. It kept the poets up at night. We wrote against despair toward beauty, toward a truth that could imprison us for making liars out of the fools deposited in the seats of power, kept there by puppets who kneeled in piles of promissory notes.

I remember at one point going out to do a story, just after the Church Rock uranium spill, and there were children out playing in the water and in the livestock and the Navajo speakers were saying, "We need a word." How do we come up with a word that will tell the people that even though you can't see it, there is something dangerous here that can harm you and you can't use these waters, when it was the only source of water for their livestock?