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" "Is there another city in the world where husbands are so patient as here? Do we not meet with them in every variety, and well provided with everything? One heaps up wealth, which his wife shares with those who are eager to make him a dupe; another, slightly more fortunate, but not less infamous, sees his wife receive presents day after day, and is not troubled in mind by any jealous twinge when she tells him that they are the rewards of virtue. One makes a great noise, which does him not the slightest good; another lets matters take their course in all meekness, and, seeing the gallant arrive at his house, very politely takes up his gloves and his cloak. One married woman cunningly pretends to make a confident of her confiding husband, who slumbers securely under such a delusion, and pities the gallant for his pains, which, however, the latter does not throw away. Another married woman, to account for her extravagance, says that the money she spends has been won at play; and the silly husband, without considering at what play, thanks Heaven for her winnings.
Jean-Baptiste Poquelin, more famous as Molière (15 January 1622 – 17 February 1673) was a French theatre writer, director and actor, one of the masters of comic satire.
Biography information from Wikiquote
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Dor. So you think, Lysidas, that all the wit and beauty are to be found in serious poems, and that comic pieces are trifles which deserve no praise? Ur. I certainly do not think so. Tragedy no doubt is very fine when it is well written; but comedy has also its charms, and I believe that one is no less difficult than the other.
Mademoiselle De Brie: But it can't be much fun seeing your work torn to shreds.
Moliere: What do I care? Didn't I get everything I wanted from my play? I was lucky — it appealed to the distinguished audience I was particularly eager to please. Don't you think I'm right to be happy with how it turned out? Can't you see that their attacks have come too late? It's out of my hands at this point. If people attack a successful play, they're attacking the audience who liked it, for their lack of judgement, not the art of the man who wrote the play, don't you see?