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" "Hollywood is greedy and prone to self-mythologising to conceal that simple greed: the very faults that [Citizen] Kane satirized. The town's treatment of Kane, the definitive account of American desire and corruption on film, is as ludicrous – and sensitive – now as then.
Mank, David Fincher's fictionalised account of the creation of Kane, is up for 10 Academy Awards this weekend. If it equals, or even surpasses, its creation myth, it will be a bleak joke: one that both [Orson] Welles and [Herman J. Mankiewicz] would get or, if they had the chance, would have written themselves. (Welles died in 1985; Mank in 1953.) It is, consciously or not – and I would guess not - theft masquerading as tribute and that is the only profound truth it tells. This is a bad habit in Hollywood, and one to which it is increasingly addicted.
Tanya Gold (born 31 December 1973) is an English freelance journalist. In 2010, she won Feature Writer of the Year at the British Press Awards in 2009.
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Holocaust Memorial Day is 24 hours of shame, but not in the way you think. It was designed to commemorate the victims of the Holocaust, and it falls on the day that Auschwitz-Birkenau was liberated by Soviet forces: January 27, in 1945. This is tragedy enough for the Jewish people, you might think, but HMD — I don't mind giving it an acronym, it deserves one — has changed. It is now an annual festival for the abuse of living Jewish people and the denial of our loss, and we brace ourselves for the memory of the past, and the cruelty of the present. This was the worst year yet.
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When I was young, being female was not something to enjoy, but to navigate carefully: there was always a terrible jeopardy in it. When I look back on the mild workplace assaults and the insinuations — so long ago I feel they were directed at a different woman — what strikes me most is how little they had to do with sex. I don't think men who harass women at work want sex: at least not principally. It is a function of inadequacy and the dominion that masks it: putting you on your knees, where you belong.