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" "Hollywood is greedy and prone to self-mythologising to conceal that simple greed: the very faults that [Citizen] Kane satirized. The town's treatment of Kane, the definitive account of American desire and corruption on film, is as ludicrous – and sensitive – now as then.
Mank, David Fincher's fictionalised account of the creation of Kane, is up for 10 Academy Awards this weekend. If it equals, or even surpasses, its creation myth, it will be a bleak joke: one that both [Orson] Welles and [Herman J. Mankiewicz] would get or, if they had the chance, would have written themselves. (Welles died in 1985; Mank in 1953.) It is, consciously or not – and I would guess not - theft masquerading as tribute and that is the only profound truth it tells. This is a bad habit in Hollywood, and one to which it is increasingly addicted.
Tanya Gold (born 31 December 1973) is an English freelance journalist. In 2010, she won Feature Writer of the Year at the British Press Awards in 2009.
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I've long thought that monarchy allows us to imagine our kingdom – our national story – as more interesting and singular than it is. Monarchy is attractive but necrotic: it looks backwards by nature. If there was an opportunity for dynamic monarchy – the Norman lawmakers, perhaps, or the Tudor propagandists – we haven't taken it. The instruments of monarchy are imperial, and in daylight they look increasingly odd and piteous. It's a truism of addiction – and many are addicted to monarchy – that the larger your fantasy life, the smaller your real one.
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I am afraid now, though it is hard to write about fear because fear is formless and because it offends my pride. I have heard the silence of my non-Jewish friends with horror because they, apparently progressives, should know better. I can't write more, for maybe one day I may want to speak to them again.