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This mechanical element, which one is sorry to see disappear from the screen, and which one is impatient to see again, is discreet; it appears only a… - Fernand Léger
" "This mechanical element, which one is sorry to see disappear from the screen, and which one is impatient to see again, is discreet; it appears only at intervals, and far off, like a spotlight that flashes on in a long, intermittent, harrowing drama of totally uncompromising realism. The plastic event is non-the less there and seems to me be laden with consequences both in itself and for the future. [on the filming of Abel Gance's La Roue, 1922]
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About Fernand Léger
Joseph Fernand Henri Léger (February 4, 1881 – August 17, 1955) was a French painter, sculptor, and filmmaker. He started his art in early cubism and developed a style in which the human figure in relation to the modern times was his central aim to represent. He and his art was engaged with communism and with the worker's life.
Also Known As
Alternative Names:
Fernand Leger
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Fernan Lezeh
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Fernan Lez'eh
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Fernan Lezhe
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Ferunan Reje
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F. Leger
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Leger
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fernand leger
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Fernad Léger
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Léger
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Lezhe, Fernan
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Additional quotes by Fernand Léger
..the personification of the close-up detail, the individualisation of the fragment, where the drama takes shape, moves and have it being. Film concurs with this aspect for life. The hand is a multiple, transformable object. Before I saw it in a film, I did not know what a hand was! The object in itself is capable of becoming an absolute, moving, tragic thing.
Instead of opposing comic and tragic characters [as Molière and Shakespeare] and contrary scenic states, I organize the opposition of contrasting values, lines, and curves. I oppose curves to straight lines, flat surfaces to molded forms, pure local colors to nuances of gray. These initial plastic forms are either superimposed on objective elements or not, it makes no difference to me. There is only a question of variety.
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Bekentnisse und Gespräche, Fernand Léger, André Verdet, Zürich 1957, pp. 32-33
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