The Triumph Of Achilles In the story of Patroclus no one survives, not even Achilles who was nearly a god. Patroclus resembled him; they wore the sa… - Louise Glück

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The Triumph Of Achilles

In the story of Patroclus
no one survives, not even Achilles
who was nearly a god.
Patroclus resembled him; they wore
the same armor.

Always in these friendships
one serves the other, one is less than the other:
the hierarchy
is always apparent, though the legends
cannot be trusted — their source is the survivor,
the one who has been abandoned.

What were the Greek ships on fire
compared to this loss?

In his tent, Achilles
grieved with his whole being
and the gods saw
he was a man already dead, a victim
of the part that loved,
the part that was mortal.

English
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About Louise Glück

Louise Elisabeth Glück (April 22, 1943 – October 13, 2023) was an American poet and essayist. From 2003 to 2004, she was Poet Laureate of the United States. She had won many major literary awards in the United States, including the National Humanities Medal, Pulitzer Prize, National Book Award, National Book Critics Circle Award, and Bollingen Prize, among others. In 2020, she was awarded the Nobel Prize in Literature, "for her unmistakable poetic voice that with austere beauty makes individual existence universal."

Biography information from Wikiquote

Also Known As

Native Name: Louise Elisabeth Glück
Alternative Names: Louise Gluck
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Additional quotes by Louise Glück

When Hades decided he loved this girl
he built for her a duplicate of earth,
everything the same, down to the meadow,
but with a bed added.
Everything the same, including sunlight,
because it would be hard on a young girl
to go so quickly from bright light to utter darkness

Gradually, he thought, he’d introduce the night,
first as the shadows of fluttering leaves.
Then moon, then stars. Then no moon, no stars.
Let Persephone get used to it slowly.
In the end, he thought, she’d find it comforting.

A replica of earth
except there was love here.
Doesn’t everyone want love?

He waited many years,
building a world, watching
Persephone in the meadow.
Persephone, a smeller, a taster.
If you have one appetite, he thought,
you have them all.

Doesn’t everyone want to feel in the night
the beloved body, compass, polestar,
to hear the quiet breathing that says
I am alive, that means also
you are alive, because you hear me,
you are here with me. And when one turns,
the other turns — That’s what he felt, the lord of darkness,
looking at the world he had
constructed for Persephone. It never crossed his mind
that there’d be no more smelling here,
certainly no more eating.

Guilt? Terror? The fear of love?
These things he couldn’t imagine;
no lover ever imagines them.

He dreams, he wonders what to call this place.
First he thinks: The New Hell. Then: The Garden.
In the end, he decides to name it
Persephone’s Girlhood.

A soft light rising above the level meadow,
behind the bed. He takes her in his arms.
He wants to say I love you, nothing can hurt you

but he thinks
this is a lie, so he says in the end
you’re dead, nothing can hurt you
which seems to him
a more promising beginning, more true.

When I’m trying to put a poem or a book together, I feel like a tracker in the forest following a scent, tracking only step to step. It’s not as though I have plot elements grafted onto the walls elaborating themselves. Of course, I have no idea what I’m tracking, only the conviction that I’ll know it when I see it.

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