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" "There is something "God-like" in man as attested to by the Quranic statement, (Pickthall translation): "I have made him and have breathed into him my spirit" (Quran 15:29), and by the tradition, "God created Adam upon His own form." God created Adam, the prototype of man, upon "His own form," i.e., as a mirror reflecting in a central and conscious manner His Names and Qualities. There is, therefore, something of a "sacred nature" (malakut'i) in man; and it is in the light of this profound nature in man that Islam envisages him. This belief is not, however, in any way anthropomorphic, for the Divine Essence (al-Dhat) remains absolutely transcendent and no religion has emphasized the transcendent aspect of God more than Islam. The Islamic concept of man as a theomorphic being is not an anthropomorphism. It does not make God into man. Rather, the Islamic revelation conceives of man as this theomorphic being and addresses itself to that something in man which is in the "form of the Divine." That something is first of all an intelligence that can discern between the true and the false or the real and the illusory and is naturally led to Unity or tawhid.
(Persian: سید حسین نصر, born April 7, 1933) is an Iranian philosopher, theologian and Islamic scholar. He is the University Professor of Islamic studies at George Washington University.
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If human beings were not to live below the human level, but realized the full possibility of being human, they would grasp intuitively the truth of the assertion of the primacy of consciousness. Their own consciousness would be raised to a level where they would know through direct intellection that the alpha and omega of cosmic reality cannot but be the Supreme Consciousness which is also Pure Being and that all beings in the universe possess a degree of consciousness in accord with their existential state. They would realize that as human beings we are given the intelligence to know the One Who is the Origin and End of all things, who is Sat (Being), Chit (Consciousness), and nanda (Bliss), and to realize that this knowledge itself is the ultimate goal of human life, the crown of human existence, and what ultimately makes us human beings who can discourse with the trees and the birds as well as with the angels and who are on the highest level the interlocutors of that Supreme Reality who has allowed us to say “I” but who is ultimately the I of all I’s.
Through the downward flow of the river of time and the multiple refractions and reflections of Reality upon the myriad mirrors of both macrocosmic and microcosmic manifestation, knowledge has become separated from being and the bliss or ecstasy which characterizes the union of knowledge and being. Knowledge has become nearly completely externalized and desacralized, especially among those segments of the human race which have become transformed by the process of modernization, and that bliss which is the fruit of union with the One and an aspect of the perfume of the sacred has become well-nigh unattainable and beyond the grasp of the vast majority of those who walk upon the earth. But the root and essence of knowledge continues to be inseparable from the sacred for the very substance of knowledge is the knowledge of that reality which is the Supreme Substance, the Sacred as such, compared to which all levels of existence and all forms of the manifold are but accidents.
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If you ask today what art is, what its function is, what the meaning of art is and why one should create art, the answer given oftentimes by Western philosophers of art and those who specialize in modern aesthetics is ‘‘art for art’s sake.’’ The modern response is that you just create art for the sake of art; but this was never the answer of traditional civilizations where one created art for both the sake of attainment of inner perfection and for human need in the deepest sense—because the needs of man are not only physical, they are also spiritual. We are as much in need of beauty as of the air that we breathe.