Art will rediscover its way in a different type of nature (from the Galilean nature). The sensible qualities of this nature are not reduced to extern… - Michel Henry

Instead of determining the action of life, ends, norms and values are determined by it. This determination consists in the fact that one experiences oneself constantly and knows oneself at every moment. Life also knows at each instant what must be done and what is suited to it. This knowledge is no different from action. It does not precede it or "determine" it, properly speaking. It is identical to it, as the original know-how of life, as praxis and a living body. Action, as we have seen, is only the actualization of the primitive power of this phenomenological body.

The experience of red does not consist of perceiving a red object or the colour red as such and of taking it as being red; instead, it consists of experiencing the power of the impression in ourselves. That is what eliminates all objective mediation from painting: the mediation of objects, the sense that they can be given, thought, 'culture' with its variations by time and place and ultimately the various theories that represent this non-existent mediation. That is also why abstract painting, which bypasses the mediation of language and culture understood as a group of representations, can be called a popular art. It is devoted to the expressive power and the direct communication of colour, its immediate experience in life.

Inasmuch as the essence of community is affectivity, the community is not limited to humans alone. It includes everything that is defined in itself by the primal suffering of life and thus by the possibility of suffering. This pathos-with is the brosdest form of every conceivable community.