We had mostly pilots in the hospital, [...] and kids who had been playing with bombs they found on the ground and stuff. Pretty harroing, actually bu… - Anne V. Coates

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We had mostly pilots in the hospital, [...] and kids who had been playing with bombs they found on the ground and stuff. Pretty harroing, actually but it was intriguing for me just to be meeting other people (en) it opened my mind to communism and things like that which shocked my family.

English
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About Anne V. Coates

Anne Voase Coates OBE (12 December 1925 – 8 May 2018) was a British film editor with a more than 60-year-long career. She was perhaps best known as the editor of David Lean's epic film Lawrence of Arabia (1962), for which she won the Academy Award for Best Film Editing. Coates was nominated on four other occasions for the Oscar, the other motion pictures being Becket (1964), The Elephant Man (1980), In the Line of Fire (1993) and Out of Sight (1998). In an industry where women accounted for only 16 per cent of all editors working on the top 250 films of 2004, and 80 per cent of the films had absolutely no women on their editing teams at all, Coates thrived as a leading film editor. She was awarded BAFTA's highest honour, a BAFTA Fellowship, in February 2007 and was given an Academy Honorary Award, which are popularly known as a Lifetime Achievement Oscar, in November 2016 by the Academy of Motion Picture Arts and Sciences.

Also Known As

Alternative Names: Anne Voase Coates Anne Coates Anne Coates-Hickox
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Additional quotes by Anne V. Coates

But I was taught, or I must have heard it somewhere, that as it became a more important job, men started to get in on it. While it was just a background job, they let the women do it. But when people realized how interesting and creative editing could be, then the men elbowed the women out of the way and kind of took over.
There were some wonderful women editors who helped inspire me to go into editing in England. In a way, I've never looked at myself as a woman in the business. I've just looked at myself as an editor. I mean, I'm sure I've been turned down because I'm a woman, but then other times I've been used because they wanted a woman editor.

[T]here were only certain jobs open to women. Things like hairdressing didn't really interest me. I might have been interested in photography, but women couldn't do that in those days. I found the most interesting job a woman could do, other than acting, was editing.

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Jolly, chatty and extremely competent, she is an attractive, hearty person, the sort who can work all day and still have enough energy left to enjoy the evening. Anne taught me women often make better editors than men. They have more patience.

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