"Oaxaca 1925 You were a beautiful child With a troubled face, green eyelids And black lace stockings We met in a filthy bar You said "My name is Nad… - Kenneth Rexroth

"Oaxaca 1925

You were a beautiful child
With a troubled face, green eyelids
And black lace stockings
We met in a filthy bar
You said
"My name is Nada
I don't want anything from you
I will not take from you
I will give you nothing"
I took you home down alleys
Splattered with moonlight and garbage and cats
To your desolate disheveled room
Your feet were dirty
The lacquer was chipped on your fingernails
We spent a week hand in hand
Wandering entranced together
Through a sweltering summer
Of guitars and gunfire and tropical leaves
And black shadows in the moonlight
A lifetime ago"

English
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About Kenneth Rexroth

Kenneth Charles Marion Rexroth (22 December 1905 – 6 June 1982) was an American poet, essayist, translator and anarchist.

Biography information from Wikiquote

Also Known As

Alternative Names: Kenneth Charles Marion Rexroth
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Additional quotes by Kenneth Rexroth

Any writer, reading over the typescript of a book for the last time before sending it off to the publisher, must wonder what all the effort was for. An autobiography is specially in need of justification to its author. It is a work of self-justification which itself needs justifying. Why have I written this book? Why have I written it the way I have? What does it mean to me? What do I hope it will mean to others? Each human being has at the final core of self a crystal from which the whole manifold of the personality develops, a secret molecular lattice which governs the unfolding of all the structures of the individuality, in time, in space, in memory, in action and contemplation. Asleep there were just these dreams and no others. Awake there were these actions only. Only these deeds came into being.

The poet, says Baudelaire, is a decipherer, a Kabbalist of reality, a decoder. Ordinary life, if it is not a message in code, a system of symbols for something else, is unacceptable. It must be a cryptogram; it can't be what it seems. The poet's task is to decode the incomprehensible obvious. His life becomes a deliberately constructed paranoia, as Rimbaud, Breton, Artaud were to say generations later.
As we read him, we discover that Baudelaire believes in the charm, the incantation, the cryptogram, but he ceases to believe in the secret. The spirits have not risen. The code says nothing. This is the mystery concealed by the disorder of the world. The visionary experience ends in itself; the light of the illuminated comes only from and falls only on himself.

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Suchness

In the theosophy of light,
The logical universal
Ceases to be anything more
Than the dead body of an angel.
What is substance? Our substance
Is whatever we feed our angel.
The perfect incense for worship
Is camphor, whose flames leave no ashes.

from Love is an Art of Time (1974)
in The Complete Poems of Kenneth Rexroth, 702

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