Kenneth Rexroth Quotes

We have slept together in
A lonely bed. Now my heart
Turns towards you, awake at last,
Penitent, lost in the last
Loneliness. Speak to me. Talk
To me. Break the black silence.
Speak of a tree full of leaves,
Of a flying bird, the new
Moon in the sunset, a poem,
A book, a person - all the
Casual healing speech
Of your resonant, quiet voice. — Kenneth Rexroth, from “Loneliness,” The Collected Shorter Poems of Kenneth Rexroth, (New Directions January 17, 1966)

Any writer, reading over the typescript of a book for the last time before sending it off to the publisher, must wonder what all the effort was for. An autobiography is specially in need of justification to its author. It is a work of self-justification which itself needs justifying. Why have I written this book? Why have I written it the way I have? What does it mean to me? What do I hope it will mean to others? Each human being has at the final core of self a crystal from which the whole manifold of the personality develops, a secret molecular lattice which governs the unfolding of all the structures of the individuality, in time, in space, in memory, in action and contemplation. Asleep there were just these dreams and no others. Awake there were these actions only. Only these deeds came into being.

My heavy heart has gone this way before.

The classics of Socialist and Anarchist literature seem at mid-century to speak a foolish and naïve language to minds hardened by two generations of realpolitik. It was not just the sophisticates and the reformers who had no belief in the validity or endurance of the system. Everybody in what they used to call the master class, from the Pope to William Howard Taft, believed in his bones that the days of his kind were strictly numbered and found wanting. What happened instead of apocalypse and judgment was a long-drawn-out apocalypse of counterrevolution against the promise and potential of a humane civilization. It began with the world economic crisis of 1912, and the First and Second World Wars and the Bolshevik Revolution have been episodes, always increasing in violence and plain immorality, in the struggle of our civilization to suppress its own potential.

Do not talk any more. Do not speak.
Do not break silence until
We are weary of each other.
Let our fingers run like steel
Carving the contours of our bodies’ gold.
Do not speak. My face sinks
In the clotted summer of your hair.
The sound of the bees stops.
Stillness falls like a cloud.
Be still. Let your body fall away
Into the awe filled silence
Of the fulfilled summer — Back, back, infinitely away — Our lips weak, faint with stillness.

from “When We with Sappho

Against the ruin of the world, there is only one defense — the creative act.

Making love with you
Is like drinking sea water.
The more I drink
The thirstier I become,
Until nothing can slake my thirst
But to drink the entire sea.

Don Quixote, The Tale of Genji, The Dream of the Red Chamber, the Satyricon, these are the world's major works of prose fiction.

Each of us is a specific individual, that one and no other, out of billions. I think each of us knows his own mystery with a knowing that precedes the origins of all knowledge. None of us ever gives it away. No one can. We envelop it with talk and hide it with deeds. Yet we always hope that somehow the others will know it is there, that a mystery in the other we cannot know will respond to a mystery in the self we cannot understand. The only full satisfaction life offers us is this sense of communion. We seek it constantly. Sometimes we find it. As we grow older we learn that it is never complete and sometimes it is entirely illusory.

With my own group I like to keep it loose. They have to counter rather than go with me. When they stop I like to be moving.

You learn nothing if you carry with you a journalistic system of values, which is invented to save reporters from experience.

There have always been those who, though they see tragedy as the outcome of freedom, will nevertheless judge that tragedy is not too high a price to pay.

I have no interest in Kerouac whatsoever. I've done my stint for him. As far as I'm concerned, Kerouac is what Madison Avenue wants a rebel to be. That isn't my kind of rebel.

All night I lay awake beside you, Leaning on my elbow, watching your Sleeping face, that face whose purity Never ceases to astonish me.

Your body spreads across my brain
Like a bird filled summer;
Not like a body, not like a separate thing,
But like a nimbus that hovers
Over every other thing in all the world.

from “When We with Sappho,