O heart, heart, so singularly
Intransigent and corruptible,
Here we lie entranced by the starlit water,
And moments that should each last forever

Slide unconsciously by us like water. — Kenneth Rexroth, from “Another Spring,” One Hundred Poems from the Chinese. (New Directions January 17, 1971) Originally published 1956.

Your body spreads across my brain
Like a bird filled summer;
Not like a body, not like a separate thing,
But like a nimbus that hovers
Over every other thing in all the world.

from “When We with Sappho,

Toward an Organic Philosophy

SPRING, COAST RANGE
The glow of my campfire is dark red and flameless,
The circle of white ash widens around it.
I get up and walk off in the moonlight and each time
I look back the red is deeper and the light smaller.
Scorpio rises late with Mars caught in his claw;
The moon has come before them, the light
Like a choir of children in the young laurel trees.
It is April; the shad, the hot headed fish,
Climbs the rivers; there is trillium in the damp canyons;
The foetid adder’s tongue lolls by the waterfall.
There was a farm at this campsite once, it is almost gone now.
There were sheep here after the farm, and fire
Long ago burned the redwoods out of the gulch,
The Douglas fir off the ridge; today the soil
Is stony and incoherent, the small stones lie flat
And plate the surface like scales.
Twenty years ago the spreading gully
Toppled the big oak over onto the house.
Now there is nothing left but the foundations
Hidden in poison oak, and above on the ridge,
Six lonely, ominous fenceposts;
The redwood beams of the barn make a footbridge
Over the deep waterless creek bed;
The hills are covered with wild oats
Dry and white by midsummer.
I walk in the random survivals of the orchard.
In a patch of moonlight a mole
Shakes his tunnel like an angry vein;
Orion walks waist deep in the fog coming in from the ocean;
Leo crouches under the zenith.
There are tiny hard fruits already on the plum trees.
The purity of the apple blossoms is incredible.
As the wind dies down their fragrance
Clusters around them like thick smoke.
All the day they roared with bees, in the moonlight
They are silent and immaculate.

SPRING, SIERRA NEVADA
Once more golden Scorpio glows over the col
Above Deadman Canyon, orderly and brilliant,
Like an inspiration in the brain of Archimedes.
I have seen its light over the warm sea,
Over the coconut beaches, phosphorescent and pulsing;
And the living light in the water
Shivering away from the swimming hand,
Creeping against the

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Between Myself and Death

To Jimmy Blanton's Music:
Sophisticated Lady, Body and Soul

A fervor parches you sometimes,
And you hunch over it, silent,
Cruel, and timid; and sometimes
You are frightened with wantonness,
And give me your desperation.
Mostly we lurk in our coverts,
Protecting our spleens, pretending
That our bandages are our wounds.
But sometimes the wheel of change stops;
Illusion vanishes in peace;
And suddenly pride lights your flesh — Lucid as diamond, wise as pearl — And your face, remote, absolute,
Perfect and final like a beast's.
It is wonderful to watch you,
A living woman in a room
Full of frantic, sterile people,
And think of your arching buttocks
Under your velvet evening dress,
And the beautiful fire spreading
From your sex, burning flesh and bone,
The unbelievably complex
Tissues of your brain all alive
Under your coiling, splendid hair.

* * *
I like to think of you naked.
I put your naked body
Between myself alone and death.
If I go into my brain
And set fire to your sweet nipples,
To the tendons beneath your knees,
I Can see far before me.
It is empty there where I look,
But at least it is lighted.

I know how your shoulders glisten,
How your face sinks into trance,
And your eves like a sleepwalker's,
And your lips of a woman
Cruel to herself.
I like to
Think of you clothed, your body
Shut to the world and self contained,
Its wonderful arrogance
That makes all women envy you.
I can remember every dress,
Each more proud then a naked nun.
When I go to sleep my eves
Close in a mesh of memory.
Its cloud of intimate odor
Dreams instead of myself.

St. Francis is not only the most attractive of all the Christian saints, he is the most attractive of Christians, admired by Buddhists, atheists, completely secular, modern people, Communists, to whom the figure of Christ himself is at best unattractive. Partly this is due to the sentimentalization of the legend of his life and that of his companions in the early days of the order. Many people today who put his statue in their gardens know nothing about him except that he preached a sermon to the birds, wrote a hymn to the sun, and called the donkey his brother. These bits of information are important because they are signs of a revolution of the sensibility — which incidentally was a metaphysical revolution of which certainly St. Francis himself was quite unaware. They stand for a mystical and emotional immediate realization of the unity of being, a notion foreign, in fact antagonistic, to the main Judeo-Christian tradition. “I am that I am” — the God of Judaism is the only self-sufficient being. All the reality that we can know is contingent, created out of nothing, and hence of an inferior order of reality. Faced with the “utterly other,” the contingent soul can finally only respond with fear and trembling.

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Today we hear a great deal about Organizational Men, Mass Culture, Conformity, the Lonely Crowd, the Power Elite and its Conspiracy of Mediocrity. We forget that the very volume of this criticism is an indication that our society is still radically pluralistic. Not only are there plenty of exceptionalists who take exception to the stereotyping of the mass culture — but that very string of epithets comes from a series of books that have been recent best-sellers, symptoms of a popular, living tradition of dissent from things as they are.