Kenneth Rexroth Quotes

My heavy heart has gone this way before.

Imperceptible It withers in the world, This flower-like human heart.

Bohemia is a commune in which the Revolution is over and everyone is a member of the aristocracy

We have slept together in
A lonely bed. Now my heart
Turns towards you, awake at last,
Penitent, lost in the last
Loneliness. Speak to me. Talk
To me. Break the black silence.
Speak of a tree full of leaves,
Of a flying bird, the new
Moon in the sunset, a poem,
A book, a person - all the
Casual hfrankealing speech
Of your resonant, quiet voice. — Kenneth Rexroth, from “Loneliness,” The Collected Shorter Poems of Kenneth Rexroth, (New Directions January 17, 1966)

You learn nothing if you carry with you a journalistic system of values, which is invented to save reporters from experience.

Japanese poetry does what poetry does everywhere: it intensifies and exalts experience.

The moral issues with which Marcus struggles would be, as he points out, unchanged whether the universe were mechanical and devoid of meaning or value or ruled by deity or Providence; whether the will were in fact free or determined; whether there were or were not a future life, or any even fugitive rewards and punishments at all.

It takes great labor to uncover the convincing simple speech of the heart. Poetic candor comes with hard labor, so even does impetuosity and impudence.

Do not talk any more. Do not speak.
Do not break silence until
We are weary of each other.
Let our fingers run like steel
Carving the contours of our bodies’ gold.
Do not speak. My face sinks
In the clotted summer of your hair.
The sound of the bees stops.
Stillness falls like a cloud.
Be still. Let your body fall away
Into the awe filled silence
Of the fulfilled summer — Back, back, infinitely away — Our lips weak, faint with stillness.

from “When We with Sappho

You don't become a saint until you lead a good life whether in Tibet or Italy or America.

I've had it with these cheap sons of bitches who claim they love poetry but never buy a book.

Crooked cards and straight whiskey,
Slow horses and fast women.

Simone Weil was one of the most remarkable women of the twentieth, or indeed of any other century. I have great sympathy for her, but sympathy is not necessarily congeniality. It would be easier to write of her if I liked what she had to say, which I strongly do not. …I think Simone Weil had both over- and under-equipped herself for the crisis which overwhelmed her — along, we forget, immersed in her tragedy, with all the rest of us. She was almost the perfectly typical passionate, revolutionary, intellectual woman — a frailer, even more highly strung Rosa Luxemburg. … She made up her own revolution out of her vitals, like a spider or silkworm. She could introject all the ill of the world into her own heart, but she could not project herself in sympathy to others. Her letters read like the more distraught signals of John of the Cross in the dark night.

Men who live like Casanova are seldom interested in themselves; their egocentricity does not give them time for egotism.

I write for one and only one purpose, to overcome the invincible ignorance of the traduced heart. […] I wish to speak to and for those who have had enough of the Social Lie, the Economics of Mass Murder, the Sexual Hoax, and the Domestication of Conspicuous Consumption.