Kenneth Rexroth Quotes

O heart, heart, so singularly
Intransigent and corruptible,
Here we lie entranced by the starlit water,
And moments that should each last forever

Slide unconsciously by us like water. — Kenneth Rexroth, from “Another Spring,” One Hundred Poems from the Chinese. (New Directions January 17, 1971) Originally published 1956.

"Oaxaca 1925

You were a beautiful child
With a troubled face, green eyelids
And black lace stockings
We met in a filthy bar
You said
"My name is Nada
I don't want anything from you
I will not take from you
I will give you nothing"
I took you home down alleys
Splattered with moonlight and garbage and cats
To your desolate disheveled room
Your feet were dirty
The lacquer was chipped on your fingernails
We spent a week hand in hand
Wandering entranced together
Through a sweltering summer
Of guitars and gunfire and tropical leaves
And black shadows in the moonlight
A lifetime ago"

Japanese poetry does what poetry does everywhere: it intensifies and exalts experience.

The mature man lives quietly, does good privately, takes responsibility for his actions, treats others with friendliness and courtesy, finds mischief boring and avoids it. Without the hidden conspiracy of goodwill, society would not endure an hour.

Bohemia is a commune in which the Revolution is over and everyone is a member of the aristocracy

Love slays what we have been,
That we may be what we were not.

from “The Dragon and the Unicorn

All my life I have been attracted by Catholicism. But what attracted me was not its Christianity, but its paganism. The Scholastic Philosophers entertained me not because they were apologists for Jesus but because they were refinements of Aristotle. The liturgical life of the Church moved me because it echoes the most ancient responses to the turning of the year and the changing seasons, and the rhythms of animal and human life. For me the Sacraments transfigured the rites of passage, the physical facts of the human condition — birth, adolescence, sexual intercourse, vocation, sickness and death, communion, penance. Catholicism still provides a structure of acts, individual and at the same time communal, physical responses to life.

Give me your mouth.
Your grace is as beautiful as sleep.
You move against me like a wave
That moves in sleep.
Your body spreads across my brain
Like a bird filled summer;
Not like a body, not like a separate thing.
But like a nimbus that hovers
Over every other thing in all the world — Kenneth Rexroth, from “ When We with Sappho,” The Phoenix and the Tortoise (New Directions, 1944)

We have slept together in
A lonely bed. Now my heart
Turns towards you, awake at last,
Penitent, lost in the last
Loneliness. Speak to me. Talk
To me. Break the black silence.
Speak of a tree full of leaves,
Of a flying bird, the new
Moon in the sunset, a poem,
A book, a person - all the
Casual healing speech
Of your resonant, quiet voice. — Kenneth Rexroth, from “Loneliness,” The Collected Shorter Poems of Kenneth Rexroth, (New Directions January 17, 1966)

When the newspapers have got nothing else to talk about, they cut loose on the young. The young are always news. If they are up to something, that's news. If they aren't, that's news too.

Simone Weil was one of the most remarkable women of the twentieth, or indeed of any other century. I have great sympathy for her, but sympathy is not necessarily congeniality. It would be easier to write of her if I liked what she had to say, which I strongly do not. …I think Simone Weil had both over- and under-equipped herself for the crisis which overwhelmed her — along, we forget, immersed in her tragedy, with all the rest of us. She was almost the perfectly typical passionate, revolutionary, intellectual woman — a frailer, even more highly strung Rosa Luxemburg. … She made up her own revolution out of her vitals, like a spider or silkworm. She could introject all the ill of the world into her own heart, but she could not project herself in sympathy to others. Her letters read like the more distraught signals of John of the Cross in the dark night.

We have slept together in
A lonely bed. Now my heart
Turns towards you, awake at last,
Penitent, lost in the last
Loneliness. Speak to me. Talk
To me. Break the black silence.
Speak of a tree full of leaves,
Of a flying bird, the new
Moon in the sunset, a poem,
A book, a person - all the
Casual hfrankealing speech
Of your resonant, quiet voice. — Kenneth Rexroth, from “Loneliness,” The Collected Shorter Poems of Kenneth Rexroth, (New Directions January 17, 1966)

Men who live like Casanova are seldom interested in themselves; their egocentricity does not give them time for egotism.

I remember the first time I ever saw otter play and slide down a slippery bank into the water. Old Billy knew where they were and took me to them. We sat down silently behind some bushes on the bank of an Indiana stream and pretty soon out came a family of otter and climbed up on the bank and slid down the mud slide over and over again like little children. Nothing looks funnier than an otter having a good time, unless it’s a sea otter, which looks even more cherubic.

I have no interest in Kerouac whatsoever. I've done my stint for him. As far as I'm concerned, Kerouac is what Madison Avenue wants a rebel to be. That isn't my kind of rebel.