"Laughing at "Rapper's Delight"'s no revenge, and anyway it wasn't your idea, and anyway it's <i>funny</i>. Dean Street's another story, a realm of k… - Jonathan Lethem

"Laughing at "Rapper's Delight"'s no revenge, and anyway it wasn't your idea, and anyway it's funny. Dean Street's another story, a realm of knowledge unapplicable here.
You've just about finished leaving Dean Street, and Aeroman, behind.
If this means avoiding the one who protected your ass all through junior high, the one you once ached to emulate, the one whose orbit you were happy just to swing in - if it means leaving the million-dollar kid's regular phone messages in Abraham's precise handwriting unreturned - that's a small price to pay for growing up, isn't it?
This ain't no party, this ain't no disco, this ain't no foolin' around.
It's the end, the end of the seventies."

English
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About Jonathan Lethem

Jonathan Lethem (born February 19, 1964) is an American novelist, essayist, and short story writer.

Biography information from Wikiquote

Also Known As

Pen Names: Harry Conklin
Alternative Names: Jonathan Allen Lethem

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Additional quotes by Jonathan Lethem

Except science now tells us that luck is there whether you acknowledge it or not. And I'm afraid in your case I see the signs of a history of bad luck. Not even a latency so much as a full-blown case going completely ignored for lack of context.

Every room I've lived in since I was given my own room at eleven was lined with, and usually overfull of, books. My employment in bookstores was always continuous with my private hours: shelving and alphabetizing, building shelves, and browsing — in my collection and others — in order to understand a small amount about the widest possible number of books. Such numbers of books are constantly acquired that constant culling is necessary; if I slouch in this discipline, the books erupt. I've also bricked myself in with music — vinyl records, then compact discs. My homes have been improbably information-dense, like capsules for survival of a nuclear war, or models of the interior of my own skull. That comparison — room as brain — is one I've often reached for in describing the rooms of others, but it began with the suspicion that I'd externalized my own brain, for anyone who cared to look.

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