I'll tell you something banal.We're emotional illiterates.And not only you and I-practically everybody,that's the depressing thing.We're taught every… - Ingmar Bergman

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I'll tell you something banal.We're emotional illiterates.And not only you and I-practically everybody,that's the depressing thing.We're taught everything about the body and about agriculture in Madagascar and about the square root of pi, or whatever the hell it's called,but not a word about the soul.We're abysmally ignorant,about both ourselves and others.There's a lot of loose talk nowadays to the effect that children should be brought up to know all about brotherhood and understanding and coexistence and equality and everything else that's all the rage just now.But it doesn't dawn on anyone that we must first learn something about ourselves and our own feelings.Our own fear and loneliness and anger.We're left without a chance,ignorant and remorseful among the ruins of our ambitions.To make a child aware of it's soul is something almost indecent.You're regarded as a dirty old man.How can you understand other people if you don't know anything about yourself?Now you're yawning,so that's the end of the lecture.

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About Ingmar Bergman

Ernst Ingmar Bergman (14 July 1918 – 30 July 2007) was a Swedish director, screenwriter, and producer whose unique cinematographic style made him one of the most notable directors of the twentieth century.

Biography information from Wikiquote

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Native Name: Ernst Ingmar Bergman
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Additional quotes by Ingmar Bergman

"I make my films, Charlie. I do my lighting, place my camera angles and I tell the actors to walk this way and do this, and there you're supposed to cry and there you're in a rage, and we keep on doing it and keep it up like the very devil and we never give up. And then the audience sits there one evening, and if we're lucky they'll cry where we decided they would cry and laugh when we want them to - right. You know all that. That is the whole mystery, Charlie"
- Georg Af Klercker in Ingmar Bergman's play "The Last Scream"

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On the whole, however, art is free, shameless, irresponsible, and, as I said: the movement is intense, almost feverish, like, it seems to me, a snakeskin full of ants. The snake itself has long been dead, eaten, deprived of its poison, but the skin moves, filled with meddlesome life.

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