Resistance is experienced as fear; the degree of fear equates to the strength of Resistance. Therefore the more fear we feel about a specific enterpr… - Steven Pressfield

The foe fell back. Our companies pushed through. For the time it takes to count to five hundred, I thought we might even conquer. For now the mulishness of the Athenian Soldier-farmer, the pigheaded refusal to yield which had at first been scorned by his betters-now this shone to the fore. By the gods, these clodkickers had learned how to fight! [...] They no longer fell apart at the apparition of cowardice among their comrades or themselves, but had come to understand that the same man may play the craven in the morning and the hero in the afternoon. Give them this: they were tough. Tougher than the Scyths and Getai, for all their savage valor, and tougher than the Amazons, despite their dash and dazzle.

"By Blake's model, as I understand it, it's as though the Fifth Symphony existed already in that higher sphere, before Beethoven sat down and played dah-dah-dah-DUM. The catch was this: The work existed only as potential — without a body, so to speak. It wasn't music yet. You couldn't play it. You couldn't hear it. It needed someone. It needed a corporeal being, a human, an artist (or more precisely a genius, in the Latin sense of "soul" or "animating spirit") to bring it into being on this material plane. So the Muse whispered in Beethoven's ear. Maybe she hummed a few bars into a million other ears. But no one else heard her. Only Beethoven got it. He brought it forth. He made the Fifth Symphony a "creation of time," which "eternity" could be "in love with.

Be brave, my heart [wrote the poet and mercenary Archilochus]. Plant your feet and square your shoulders to the enemy. Meet him among the man-killing spears. Hold your ground. In victory, do not brag; in defeat, do not weep.