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" "What made me want to write a novel was reading One Hundred Years of Solitude, by Garcia Marquez. I was turned on to that by a friend from Mexico who gave me the book. It was like Holy Communion or something. I said, "Yes!" Here is a novel that reads so lyrically and so poetically, and yet is a novel. It's a wonderful story. You want to know what happens to these people. And at the same time I saw the connection for me. It was like the Philippines was something I was carrying around and I didn't know what art form it would take to convey the story I wanted to tell, and I read that book and said, "That's it. One day I'm gonna do it."
Jessica Tarahata Hagedorn (born 1949) is a Filipino playwright, writer, poet, and multimedia performance artist.
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For other people perhaps it was something else that brought them to certain conclusions about their lives and their identities. But, for me, film was truly one of the more powerful sources of entertainment, enlightenment, disillusionment. So, I use it a lot. In the writing of Dogeaters, especially, the movies were there because they were absolutely part of the fabric of my memory. Once I found that key, all the doors started swinging open in my imagination.
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I usually start with a character that interests me, or with some event that haunts me. I ask myself, "From whose point of view I am telling this story?" Some voice starts taking shape in my head, a certain way of talking, a tone. At its best the process is instinctive, organic, and musical. The story starts writing itself. (Callaloo, Fall 2008)