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" "If the sensation that precedes the present by half a second were still immediately before me, then on the same principle, the sensation preceding that would be immediately present, and so on ad infinitum. Now, since there is a time [period], say a year, at the end of which an idea is no longer ipso facto present, it follows that this is true of any finite interval, however short.
Charles Sanders Peirce [pronounced like purse] (10 September 1839 – 19 April 1914) was an American philosopher, chemist and polymath, who is now remembered as a pioneer of the field of semiotics and, with the formulation of the pragmatic maxim, the founder of the philosophies of Pragmatism and Pragmaticism. He was the son of the mathematician Benjamin Peirce.
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In the case of colors, there is a tridimensional spread of feelings. Originally all feelings may have been connected in the same way, and the presumption is that the number of dimensions was endless. For development essentially involves a limitation of possibilities. But given a number of dimensions of feeling, all possible varieties are obtainable by varying the intensities of the different elements.
Be it understood, then, that what we have to do, as students of phenomenology, is simply to open our mental eyes and look well at the phenomenon and say what are the characteristics that are never wanting in it, whether that phenomenon be something that outward experience forces upon our attention, or whether it be the wildest of dreams, or whether it be the most abstract and general of the conclusions of science. The faculties which we must endeavor to gather for this work are three. The first and foremost is that rare faculty, the faculty of seeing what stares one in the face, just as it presents itself, unreplaced by any interpretation, unsophisticated by any allowance for this or for that supposed modifying circumstance. This is the faculty of the artist who sees for example the apparent colors of nature as they appear. When the ground is covered by snow on which the sun shines brightly except where shadows fall, if you ask any ordinary man what its color appears to be, he will tell you white, pure white, whiter in the sunlight, a little greyish in the shadow. But that is not what is before his eyes that he is describing; it is his theory of what ought to be seen. The artist will tell him that the shadows are not grey but a dull blue and that the snow in the sunshine is of a rich yellow. That artist's observational power is what is most wanted in the study of phenomenology. The second faculty we must strive to arm ourselves with is a resolute discrimination which fastens itself like a bulldog upon the particular feature that we are studying, follows it wherever it may lurk, and detects it beneath all its disguises. The third faculty we shall need is the generalizing power of the mathematician who produces the abstract formula that comprehends the very essence of the feature under examination purified from all admixture of extraneous and irrelevant accompaniments.
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All nature abounds in proofs of other influences than merely mechanical action, even in the physical world. They crowd in upon us at the rate of several every minute. And my observation of men has led me to this little generalization. Speaking only of men who really think for themselves and not of mere reporters, I have not found that it is the men whose lives are mostly passed within the four walls of a physical laboratory who are most inclined to be satisfied with a purely mechanical metaphysics. On the contrary, the more clearly they understand how physical forces work the more incredible it seems to them that such action should explain what happens out of doors. A larger proportion of materialists and agnostics is to be found among the thinking physiologists and other naturalists, and the largest proportion of all among those who derive their ideas of physical science from reading popular books.