EVERYONE JOINS A BAND IN THIS LIFE. You are born into your first one. Your mother plays the lead. She shares the stage with your father and siblings. Or perhaps your father is absent, an empty stool under a spotlight. But he is still a founding member, and if he surfaces one day, you will have to make room for him. As life goes on, you will join other bands, some through friendship, some through romance, some through neighborhoods, school, an army. Maybe you will all dress the same, or laugh at your own private vocabulary. Maybe you will flop on couches backstage, or share a boardroom table, or crowd around a galley inside a ship. But in each band you join, you will play a distinct part, and it will affect you as much as you affect it. And, as is usually the fate with bands, most of them will break up — through distance, differences, divorce, or death.

If you're trying to get a lot of money and attention and cars and just stuff like that, being in a band is a really bad way to do it, because it takes a lot of work, it's constant work, it's very grueling, and you don't really have time to spend money. So that would probably not even make my top 10 list of ways to make a lot of money, because records aren't selling anymore. The richest musician in America still doesn't even come close to a mid-level athlete.

Pieces were stolen from me
Or dare I say, given away.

As life goes on, you will join other bands, some through friendship, some through romance, some through neighborhoods, school, an army. Maybe you will all dress the same, or laugh at your own private vocabulary. Maybe you will flop on couches backstage, or share a boardroom table, or crowd around a galley inside a ship. But in each band you join, you will play a distinct part, and it will affect you as much as you affect it.

Same thing happened in the punk movement in the late 70's...a punk band would start, play one gig, and get signed to a major label right away, 'cause it [was] a trend. That just shows there are a lot of old school dinosaurs in the record industry who need to be weeded out.

A certain scenario kept repeating itself. The people from the magazines would take two or three shots of the band. They’d start to pack up. And then they’d sort of take me off into a corner by myself. After about the thirtieth time that a photographer asked me to take my shirt off, I started to get the picture.

People in music want you to play small so you can make them feel better. That’s why you see so many bands break up no matter how talented they are.

I didn’t quit that band because I wanted to. I quit that band because I had to. Because when people give you an ultimatum about your family, what are you going to do? But the problem was no one was being truthful at the time.

The gradual increase in popularity of the Mersey sound forced musicians like me to almost go underground, as if we were anarchists, plotting to overthrow the music establishment. It seemed that the “trad jazz” movement was dying, and was taking folk and blues with it.

Music is a business, sometimes if the deal is not worth price, you have to pull out.

When people who are songwriters say 'That's my property and if you give it away for free then I'll lose my incentive,' then, well, good riddance.

Peace of mind is very essential in anything that you do--particularly in music. But in my case, it was just the opposite. What new things could I learn when I was constantly disturbed and unhappy? And I tell you, this whole concept of getting lost in music and forgetting the world around you, is a myth. In my case, I can openly say that my troubles and problems were not forgotten by just holding the tanpura in my hand. When I would sit down for riyaz, I would, on the contrary, break down and cry over the daily scene. Over the question of just surviving through the next day. And it wasn't for me that I was worried, but for the entire family that I supported. I personally never thought of becoming rich, of having a new car or house. Those ambitions never entered my mind. All I knew then was the money was not enough. There were many humiliations I had to face because of this. A certain lady musician in Pune invited me over to her house one day. Her mother asked how much I charged for a concert. I told her Rs 125. She suggested that I move over to Pune and accept all her daughter's rejected programmes. They knew I was very badly off. I was insulted by this suggestion and left their house immediately. But later I thought that maybe they were trying to be helpful.

The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs. There's also a negative side.

There's always a sense of camaraderie between bands. The only thing that I ever remember that starts to go outside of the normal healthy competition was when Kurt [Cobain] was slamming Pearl Jam. Once you get outside of your local little scene, lot of cases, writers will bait you and lead you down that path as cunningly as they can. I've seen it happen dozens of times. I've had people say, "Well, so-and-so said this about you, what do you say about that?" And they might be misquoting them, or maybe that's not what that person meant, or maybe that person was just in a bad mood. It's provoked out of you. They'll get you in a position where you start firing and they'll throw out little things about different people. But everyone that anyone would know as a successful Seattle band, or even an integral part of the scene, are all friends. Always have been.