Enhance Your Quote Experience
Enjoy ad-free browsing, unlimited collections, and advanced search features with Premium.
" "To show that this end [of art by its dissolution into real life] is only a beginning, it is essential that.. ..the series of galleries [of the future museum of modern art] be followed by a room in which painting and sculpture will be realized by the interior itself.. ..demonstrating that what is lost for art is gained for life. This room could therefore be designed for use as a lecture room, a restaurant.. ..as a bar with an American jazz band. [Mondrian's reaction on a questionnaire (c. 1931?)]
Pieter Cornelis "Piet" Mondriaan (after 1912: Piet Mondrian). (March 7, 1872 – February 1, 1944) was a Dutch painter starting in Dutch impressionism but soon started to develop abstraction from his landscape paintings. He became an inspiring leader of the De Stijl art movement and group, together with Theo van Doesburg. Mondrian proclaimed 'Neo Plasticism' as a completely new, Abstract art style.
Enhance Your Quote Experience
Enjoy ad-free browsing, unlimited collections, and advanced search features with Premium.
Related quotes. More quotes will automatically load as you scroll down, or you can use the load more buttons.
And now about architects in general – I have to say it, Does [= Theo van Doesburg ], when 'De Stijl' was founded I left it up to you, but I never did agree with you when you ranked the architects alongside us, alongside our 'N.B.' ( / Neo-Plasticism) I knew then that it would lead to conflict.. .I cannot write about architecture, because I'm not an architect. I mean, I cannot write about the way I write about painting. Later on, though, I will put forward a few ideas.
Quote of P. Mondrian, 1919-20; as cited in Gedurende een wandeling van buiten naar de stad. Dialoog en Trialoog over de Nieuwe Beelding, ed. H. Henkels; Haags Gemeentemuseum Den Haag 1986, p. 24
Try QuoteGPT
Chat naturally about what you need. Each answer links back to real quotes with citations.
Thus we must carefully distinguish between two kinds of reality, one which has an individual character, and one which has a universal appearance.. .It is, however, wrong to think that the non-figurative artist finds impressions and emotions received from the outside useless, and regards it even as necessary to fight against them.. .It is equally wrong to think that the non-figurative artist creates through 'the pure intention of his mechanical process', that he makes 'calculated abstractions' and that he wish to 'suppress sentiment not only in himself but in the spectator'.. .It is thus clear that he has not become a mechanic, but that the progress of science, of technique, of machinery, of life as a whole, has only made him into a living machine, capable of realizing in a pure manner the essence of art.