The Modernist’s command was Pound’s “Make it New.” The postmodern imperative is “Get it Used.” The more used the better. - Andrei Codrescu

Only the poor can create art.

There is undoubtedly something religious about it: everyone believes that they are special, that they are chosen, that they have a special relation with fate. Here is the test: you turn over card after card to see in which way that is true. If you can defy the odds, you may be saved. And when you are cleaned out, the last penny gone, you are enlightened at last, free perhaps, exhilarated like an ascetic by the falling away of the material world.

Unchecked, the tourist will climb over the fence and come right into your house to take pictures of you in your habitat. Cities mindful of tourists have built elaborate “tourist traps” which, luckily, work. Tourists are kept confined to these, and few escape. There is, of course, the type known as the “intrepid tourist.” This one has to be watched carefully or he can become most annoying. Little wonder these are so often the target of terrorists. If there is an aspect of benign terror about the tourist, there is also a great deal of tourist in the terrorist. Terrorists travel with only one thing in mind, just like the tourist, and the specifics of places escape them both. Terrorists travel for the purpose of shooting unsuspecting foreigners, just as tourists travel for the purpose of shooting them with a camera.