pre-Islamic period jahiliyyah, which is usually translated as “the time of ignorance.” But the primary meaning of the root JHL is “irascibility” — an… - Karen Armstrong

in the pre-modern world, when people wrote about the past they were more concerned with what an event had meant. A myth was an event which, in some sense, had happened once, but which also happened all the time. Because of our strictly chronological view of history, we have no word for such an occurrence, but mythology is an art form that points beyond history to what is timeless in human existence, helping us to get beyond the chaotic flux of random events, and glimpse the core of reality. An experience of transcendence has always been part of the human experience. We seek out moments of ecstasy, when we feel deeply touched within and lifted momentarily beyond ourselves. At such times, it seems that we are living more intensely than usual, firing on all cylinders, and inhabiting the whole of our humanity. Religion has been one of the most traditional ways of attaining ecstasy, but if people no longer find it in temples, synagogues, churches or mosques, they look for it elsewhere: in art, music, poetry, rock, dance, drugs, sex or sport. Like poetry and music, mythology should awaken us to rapture, even in the face of death and the despair we may feel at the prospect of annihilation. If a myth ceases to do that, it has died and outlived its usefulness.

My ideas about God were formed in childhood and did not keep abreast of my growing knowledge in other disciplines. I

Anybody who imagines that revealed religion requires a craven clinging to a fixed, unalterable, and self-evident truth should read the rabbis. Midrash required them to “investigate” and “go in search” of fresh insight. The rabbis used the old scriptures not to retreat into the past but to propel them into the uncertainties of the post-temple world.