“Continuous expansion is a fundamental tenet of economics. Therefore one of the fundamentals of the universe itself. Because everything is economics.… - Kim Stanley Robinson

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“Continuous expansion is a fundamental tenet of economics. Therefore one of the fundamentals of the universe itself. Because everything is economics. Physics is cosmic economics, biology is cellular economics, the humanities are social economics, psychology is mental economics, and so on.”
His listeners nodded unhappily.
“So everything is expanding. But it can’t happen in contradiction to the law of conservation of matter-energy. No matter how efficient your throughput is, you can’t get an output larger than the input.”

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About Kim Stanley Robinson

Kim Stanley Robinson (born 23 March 1952) is a science fiction novelist most famous for his Mars trilogy.

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Additional quotes by Kim Stanley Robinson

If the amount of money going into the war economy were invested in landscape restoration, we would be in a far more positive position. It may get a little dire before we pull together, but I think when the prosperous nations, and in particular the US, realise they're wrecking their own kids' lives, there will be a mass change in value. It will be a difficult century, and ugly, but I don't think that in the end people are so stupid as to kill themselves off.

How was it that destruction could be so beautiful? Was there something in the scale of it? Was there some shadow in people, lusting for it? Or was it just a coincidental combination of the elements, the final proof that beauty has no moral dimension?

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She did not want to act. Everyday life was enough. But she did enjoy the world of the theater. This was a new way of getting at people and changing their values, less wearing than the direct approach of politics, more entertaining, and perhaps in some ways even more effective. Theater in Odessa was powerful; movies were a dead art, the constant incessant oversaturation of screen images had made all images equally boring; what the citizens of Odessa seemed to like was the immediacy and danger of spontaneous performance, the moment that would never return, never be the same.

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