For nothing can be greater than seduction itself, not even the order that destroys it. - Jean Baudrillard

Particularly in the case of all professional of press-images which testify of the real events. In making reality, even the most violent, emerge to the visible, it makes the real substance disappear. It is like the Myth of Eurydice : when Orpheus turns around to look at her, she vanishes and returns to hell. That is why, the more exponential the marketing of images is growing the more fantastically grows the indifference towards the real world. Finally, the real world becomes a useless function, a collection of phantom shapes and ghost events. We are not far from the silhouettes on the walls of the cave of Plato.

The "hard law of value," the "law set in stone"—when it abandons us, what sadness, what panic! This is why there are still good days left to fascist and authoritarian methods, because they revive something of the violence necessary to life—whether suffered or inflicted. The violence of ritual, the violence of work, the violence of knowledge, the violence of blood, the violence of power and of the political is good! It is clear, luminous, the relations of force, contradictions, exploitation, repression! This is lacking today, and the need for it makes itself felt.

The close-up of a face is as obscene as a sexual organ seen from up close. It is a sexual organ. The promiscuity of the detail, the zoom-in, takes on a sexual value. (p. 43)