One has to look at the fundamental nature of the clerical regime in order to understand its true and ultimate intentions. Since its advent in 1979, t… - Reza Pahlavi

Western classical music, to be sure, is not part of traditional Iranian culture, and yes it’s elitist. But the fact that the Tehran symphony Orchestra and the Roudaki Hall have survived the vagaries of these past three decades is yet another evidence that the forces of darkness, the cult of death, martyrdom and superstition has not conquered the spirit of our nation.

I will leave it to history and historians to judge my father’s reign. But most of all it is up to all those Iranians who have the benefit of perspective and in the same way are in a position to compare things.

Contrast the world’s thirty-years of silence on the tyranny of this regime to the extremely loud and well-organized protests frequently directed at my father’s government in the 1970s. The difference could not be more distinct or disturbing. Then, the world seemed quite attuned to and concerned with the issue of human rights in my country. Today, with thirty-years worth of full graveyards and more on death row than ever before in Iran, the global silence on the stunning human rights atrocities committed by this supposedly religious regime has been astonishing and disappointing. It is quite frustrating for me and for many of my compatriots to conclude that the global standard on human rights seems to be capriciously administered and certainly has been discounted for Iranians since the establishment of the world’s only modern day theocracy.