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"He is an unsuccessful scapegoat whose heroic willingness to die for the truth will ultimately make the entire cycle of satanic violence visible to all people and therefore inoperative. The "kingdom of Satan" will give way to the "kingdom of God." Thanks to Jesus' death, the Spirit of God, alias the Paraclete (a word that signifies "the lawyer for the defense"), wins a foothold in the kingdom of Satan. He reveals the innocence of Jesus to the disciples first and then to all of us. The defense of victims is both a moral imperative and the source of our increasing power to demystify scapegoating. The Passion accounts reveal a phenomenon that unbeknownst to us generates all human cultures and still warps our human vision in favor of all sorts of exclusions and scapegoating. If this analysis is true, the explanatory power of Jesus' death is much greater than we realize, and Paul's exalted idea of the Cross as the source of all knowledge is anthropologically sound. The"
René Girard (December 25, 1923 – November 4, 2015) was a French historian, literary critic, and philosopher of social science. His work belongs to the tradition of anthropological philosophy.
Biography information from Wikiquote
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It was Plato who determined once and for all the cultural meaning of imitation, but this meaning is truncated, torn from the essential dimension of acquisitive behavior, which is also the dimension of conflict. If the behavior of certain higher animals, particularly the apes, seems to foreshadow human behavior, it does so almost exclusively, perhaps, because the role of acquisitive mimesis is so important in their behavior, although it is not as central as it is for the human being. If one ape observes another reach for an object, it is immediately tempted to imitate the gesture. It also happens that the animal visibly resists the temptation, and if the imitative gesture amuses us by reminding us of human beings, the failure to complete it, that is to say the repression of what already can be nearly defined as a desire, amuses us even more. It makes the animal a sort of brother to us by showing it subject to the same fundamental rule as humanity—that of preventing conflict, which the convergence of two or several avid hands toward one and the same object cannot help but provoke.
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