[Russia's God] cannot prevent or improve all things; he can only represent closeness and intimacy for all time . . . This all-pervasive sense of secu… - Lou Andreas-Salomé

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[Russia's God] cannot prevent or improve all things; he can only represent closeness and intimacy for all time . . . This all-pervasive sense of security, this omnipresence, leads to a confidence in the surroundings, whatever they may be, and it presupposes an untorn integration with one’s childhood, within the unity of the womb. It was exactly that childlike purity and the primitiveness in basic outlook on life (so characteristic of the Russian spirit) that captured the imagination of the poet and was released in his language. It made possible the return to a kind of familiar divinity in mankind, as if Rilke were suddenly presented with the gift of the primal home and childhood he had been deprived of. Kindle pp. 33-4.

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About Lou Andreas-Salomé

Lou Andreas-Salomé (born either Louise von Salomé or Luíza Gustavovna Salomé or Lioulia von Salomé; 12 February 1861 – 5 February 1937) was a Russian-born psychoanalyst and a well-traveled author, narrator, and essayist from a Russian-German family. Her diverse intellectual interests led to friendships with a broad array of distinguished thinkers, including Friedrich Nietzsche, Sigmund Freud, Paul Rée, and Rainer Maria Rilke.

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Alternative Names: Louise von Salomé Luíza Gustavovna Salomé Lou Andreas-Salome Louise von Salome Luiza Gustavovna Salome
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"Do you know what love is? I mean the most profound thing about it? I will tell you: it is the mystery of completely sharing the experience of what is happening to the other person. As if hypnotized, as if replaced or exchanged with that other person, you follow the most subtle stirrings of that other person's soul, enjoying them, experiencing them, in that person. For that reason, they call love a kind of insanity or possession by the other. What is the result? The result is that both persons experience the same thing -- that they become identical, so to speak." ("Maidens' Roundelay") p. 50

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In the fusion of single cells . . . the two cells' nuclei totally merge with each other, forming the new creature, and only what is inessential, at the periphery of the old cell, disintegrates, dying off. It may well stem from such influence that . . . the total fusion of single-cell organisms corresponds allegorically to what, in the highest dreams of love, the mind imagines as the full joy of love. That is arguably why love is so easily associated with longing and trepidation about death, which are not even clearly differentiated from each other; with something like a primal dream in which oneself, one's lover, and their child could still be one, and just three names for the same immortality. (p. 191-92)

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