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In the future it will be necessary on the one hand to establish a balance between the intimate and individualistic demands for housing, and on the ot… - El Lissitzky
" "In the future it will be necessary on the one hand to establish a balance between the intimate and individualistic demands for housing, and on the other to take full account of general social conditions. Thus, for example, cooking should be transferred from the private single kitchen into the communal cooking laboratory; the main meal should be consumed in public eating establishments; and the rearing of children should become the responsibility of the kindergarten or the school.. .Presently our goal is the transition from housing as an agglomeration of many private dwellings to housing communes.
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About El Lissitzky
Lazar Markovich Lissitzky [Лазарь Маркович Лисицкий] (November 23, 1890 – December 30, 1941), more famous as El Lissitzky [Эль Лисицкий], was a Russian artist, designer, photographer, teacher, typographer, and architect. He was an active protagonist of Russian Constructivism.
Also Known As
Native Name:
Ла́зарь Ма́ркович Лиси́цкий
Alternative Names:
El' Lisickij
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Ėlʹ Lisit︠s︡kiĭ
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El Lissickij
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Eliezer Markovich Lissitzky
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Lasar Lissitzky
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Eliezer Lissitsky
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Lazar Markovich Lissitzky
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Lazar Markovich Lisitskii
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El Lazar Lissitzky
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Lazarʹ Markovich Lisit︠s︡kiĭ
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Lazar Markovich Lisi︡tskiĭ
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Lazar Markovich Lisitsky
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Eliezer Lissitzky
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Eliʻezer Lisitsḳi
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El Lissitsky
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Lazar Lissitzky
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E. M. Lissitsky
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El Lisitsḳi
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Eleazar Markovich Lissitzky
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El Lisitsky
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Eleazar M. Lissitzky
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Lasar Markowitsch Lissitzky
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Eliezer Lisitski
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Eliezer Lisitsky
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Lazarʼ Markovič Lisickij
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E. Lisitsḳi
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Lazar Markovich Lisitski
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Lazar Markovich Lisitzky
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Lasar Morduchovich Lissitsky
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Lissitzky
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Additional quotes by El Lissitzky
From the beginning of the [Sovjet] Revolution I was a member of the Committee for Art. Was commissioned for the first Soviet flag for the First of May 1918, which was carried across Red Square by members of the government. Later I worked at 'Izo Narkomprosa'. From 1919 I taught at the Higher Artists' Workshops in Vitebsk (our students Suetin, Judin and others).
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In 1928 I designed a photo-montage frieze of 24 by 3.5 m for our 'Pressa' pavilion. It became the example par excellence for all larger-than-life montages, which were a permanent feature of the exhibitions from then on. During Majakovskij's stay in Berlin in 1923 I was commissioned to design his book 'For the Voice'. The book was recognized as the starting-point of a new typography, and the Gutenberg Society in Mainz made me a member. Another field of my work is the artistic and poly-graphic design of albums and periodicals.
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