In the future it will be necessary on the one hand to establish a balance between the intimate and individualistic demands for housing, and on the ot… - El Lissitzky

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In the future it will be necessary on the one hand to establish a balance between the intimate and individualistic demands for housing, and on the other to take full account of general social conditions. Thus, for example, cooking should be transferred from the private single kitchen into the communal cooking laboratory; the main meal should be consumed in public eating establishments; and the rearing of children should become the responsibility of the kindergarten or the school.. .Presently our goal is the transition from housing as an agglomeration of many private dwellings to housing communes.

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About El Lissitzky

Lazar Markovich Lissitzky [Лазарь Маркович Лисицкий] (November 23, 1890 – December 30, 1941), more famous as El Lissitzky [Эль Лисицкий], was a Russian artist, designer, photographer, teacher, typographer, and architect. He was an active protagonist of Russian Constructivism.

Also Known As

Native Name: Ла́зарь Ма́ркович Лиси́цкий
Alternative Names: El' Lisickij Ėlʹ Lisit︠s︡kiĭ El Lissickij Eliezer Markovich Lissitzky Lasar Lissitzky Eliezer Lissitsky Lazar Markovich Lissitzky Lazar Markovich Lisitskii El Lazar Lissitzky Lazarʹ Markovich Lisit︠s︡kiĭ Lazar Markovich Lisi︡tskiĭ Lazar Markovich Lisitsky Eliezer Lissitzky Eliʻezer Lisitsḳi El Lissitsky Lazar Lissitzky E. M. Lissitsky El Lisitsḳi Eleazar Markovich Lissitzky El Lisitsky Eleazar M. Lissitzky Lasar Markowitsch Lissitzky Eliezer Lisitski Eliezer Lisitsky Lazarʼ Markovič Lisickij E. Lisitsḳi Lazar Markovich Lisitski Lazar Markovich Lisitzky Lasar Morduchovich Lissitsky Lissitzky
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Additional quotes by El Lissitzky

The path of the PROUN does not lie within the narrowly limited, fragmented, and isolated scientific disciplines — the builder consolidates them all together in his own experimental investigation. The path of the PROUN is not the incoherent approach of separate scientific disciplines, theories, and systems, but is rather the straightforward path of learned influence over reality.

It has become obvious to the new architect that by virtue of his work he is taking an active part in the building of a new world. For us the work of an artist has no value 'as such'; it does not represent an end in itself; it has no intrinsic beauty. The value of a work of art is determined by its relationship to the community.. .The artist, or the creative worker, invents nothing; there is no such thing as divine inspiration. Thus we understand by the term 'reconstruction' the conquest of the unresolved, of the 'mysterious,' and the chaotic. In our [Russian] architecture, as in our entire life, we are striving to create a social order, i.e., to raise the instinctive to a conscious level.

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