The really frightening risk of war was neglect, filth, poor organization, defective medical services, and hygenic ignorance, which conditions (as in … - Eric Hobsbawm

There is no historically homogeneous Europe, and those who look for it are on the wrong track. However we define 'Europe', its diversity, the rise and fall, the coexistence, the dialectical interaction of its components, is fundamental to its existence. Without it, it is impossible to understand and explain the developments which led to the creation and control of the modern world by processes which came to maturity in Europe and nowhere else.

However, mass expulsion and even genocide began to make their appearance on the southern margins of Europe during and after World War I, as the Turks set about the mass extirpation of the Armenians in 1915 and, after the Greco Turkish war of 1911, expelled between 1.3 and 1.5 millions of Greeks from Asia Minor, where they had lived since the days of Homer. Subsequently Adolph Hitler, who was in this respect a logical Wilsonian nationalist, arranged to transfer Germans not living on the territory of the fatherland, such as those of Italian South Tyrol, to Germany itself, as he also arranged for the permanent elimination of the Jews.

But even the arts of a small minority in society can still echo the thunder of the earthquakes which shake all humanity. The literature and arts of our period did so, and the result was ‘Romanticism’. As a style, a school, an era in the arts, nothing is harder to define or even to describe in terms of formal analysis; not even ‘classicism’ against which ‘romanticism’ claimed to raise the banner of revolt. The romantics themselves hardly help us, for though their own descriptions of what they were after were firm and decided, they were also often quite devoid of rational content.