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" "[Reading is like] the sex act — done privately, and often in bed.
Daniel J. Boorstin (1 October 1914 – 28 February 2004) was an American historian, professor, attorney, and author. He served as the director of the Smithsonian’s National Museum of American History in 1969-1973 and was the Librarian of Congress from 1975 to 1987. His book trilogy, The Americans: The Colonial Experience, The National Experience, and The Democratic Experience received the Bancroft Prize, the Pulitzer Prize, and the Francis Parkman Prize. In 1989, the Medal for Distinguished Contribution to American Letters was bestowed upon him.
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The Greeks saw the advance of civilization bringing new ills. Their sour parable of technological progress was the familiar myth of Prometheus. Punished for affronting the gods by stealing fire for men’s use, Prometheus was chained to a rock so an eagle could feed on his liver, which grew back each night. According to Lucretius, necessity had led men to invent, and then inventions spawned frivolous needs that equipped and encouraged them to slaughter one another in war.
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In the West, castrati are known to history not for their political influence but mainly for their vocal peculiarities. In addition to removing the power to procreate, the castrating operation retards the deepening of the voice, and leaves the eunuch a soprano. From Constantinople the practice spread of using eunuchs in choirs. In the eighteenth century Handel’s operas featured castrati, who then began to dominate the opera scene, sometimes requiring composers to write in parts especially for them. Until the early nineteenth century castrati sang in the papal choir in Rome. The Italian practice of castrating boys to prepare them to become adult male sopranos did not end till the reign of Pope Leo XIII in the late nineteenth century.