In addition, 'Elementarism' is real instead of abstract. The use of the term 'abstract' also caused much misunderstanding. This is easily explained..… - Theo van Doesburg

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In addition, 'Elementarism' is real instead of abstract. The use of the term 'abstract' also caused much misunderstanding. This is easily explained.. .As used in connection with visual methods of expression, the term 'abstract' is extremely relative. 'To abstract' something implies one of those mental activities (in contrast to emotional spontaneity) through which certain [aesthetic] values are isolated from the world of reality. However, when such values were realized visually and applied as purely constructive means, they became real. Thus the abstract was transformed into the real, thereby illustrating the relativity of the former term. Hence, the term ‘abstract-real’ [proposed by his former artist-fellow Piet Mondrian,] was a fortunate invention, although in reference to a new orientation [van Doesburg's new art orientation 'Elementarism'] the term 'real' is sufficient. The period of abstraction is at an end. Is not an elementary painting, which is to say a certain composition of plane-linear colours, organic in itself, more concrete...

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About Theo van Doesburg

Theo van Doesburg (30 August 1883 – 7 March 1931) was a Dutch artist, practicing in painting, writing, poetry and architecture. He is best known as the founder and leader of De Stijl together with Piet Mondrian. Later he engaged himself more with Dadaism, in cooperation with Kurt Schwitters and Hans Arp.

Also Known As

Alternative Names: Christiaan Emil Maria Kupper I. K. Bonset Christiaan Emil Maria Kupper Doesburg Christian Emil Marie Kupper Theo Van Doesburg Christiaan Emil Marie Küppers Aldo Camini C. E. M. Küpper Christian Emil Marie Küpper I.K. Bonset Doesburg Theo van Doesburg (Christian Emil Marie Küpper) in de stijl van Theo van Doesburg

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Additional quotes by Theo van Doesburg

At Weimar [ the Bauhaus art school I have radically overturned everything. This is the famous academy, which now has the most modern teachers! I have talked to the pupils every evening and I have infused the poison of the new spirit everywhere. De Stijl will soon be published again and more radically. I have mountains of strength, and I know now that our notions will be victorious over everyone and everything.’

The complete and definitive work of art is created beyond one's individuality.. .The universal transcends such a level. Mere spontaneity has never created a work of art which possesses a lasting cultural value. The method leading to universal form is based upon calculations of measure and number.

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The artist's studio will be like a glass-bell or a hollow crystal. The painter himself must be white, which is to say, without tragedy or sorrow. The pallet must be of glass; the brush must be square and hard, dust-free and as immaculate as a surgical instrument. Doubtless there is much to learn from a medical laboratory.. .The studio of the modern painter must reflect the ambiance of mountains which are nine thousand feet high and topped with a eternal cap of snow. There the cold kills the microbes.

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