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" "The image, more interesting than its original, has become the original. The shadow has become the substance.
Daniel J. Boorstin (1 October 1914 – 28 February 2004) was an American historian, professor, attorney, and author. He served as the director of the Smithsonian’s National Museum of American History in 1969-1973 and was the Librarian of Congress from 1975 to 1987. His book trilogy, The Americans: The Colonial Experience, The National Experience, and The Democratic Experience received the Bancroft Prize, the Pulitzer Prize, and the Francis Parkman Prize. In 1989, the Medal for Distinguished Contribution to American Letters was bestowed upon him.
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The Greeks saw the advance of civilization bringing new ills. Their sour parable of technological progress was the familiar myth of Prometheus. Punished for affronting the gods by stealing fire for men’s use, Prometheus was chained to a rock so an eagle could feed on his liver, which grew back each night. According to Lucretius, necessity had led men to invent, and then inventions spawned frivolous needs that equipped and encouraged them to slaughter one another in war.
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While words take time to utter and hear, and require attention to parse their meaning, the impact of the image is instantaneous, its influence decadent. Before the primacy of the image, a salesman or an advertisement would have to describe the attributes of a product in a rational appeal to the intellect. Afterward, it was the mythology of the brand, usually concocted by psychologists, that would sway a consumer’s heart. Likewise, with the rise of the image in politics, the policy platform of a presidential candidate would come to matter less than the ability of his image to convey ineffable or irrelevant values.