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" "Hardly is there anywhere in the United States a church possessing originality which has been built after 1840. The houses of God are usually misplaced gothic or romanesque imitations squeezed in between dismal railway stations or surging skyscrapers. It is even more shocking to see the abortive efforts of town planning, or the utopian habit of naming streets after mere numbers or letters. A cultured man cannot possibly live in room 6489 on the sixty-fourth floor of a house on the corner of 109th Street and 10th Avenue. This may be fitting for one of the unfortunate creatures in Huxley's Brave New World but not for man created in the image of God.
Erik Maria Ritter von Kuehnelt-Leddihn (31 July 1909 – 26 May 1999) was an Austrian Catholic nobleman and socio-political theorist.
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The ideal dwelling place for the herdist is the city, the megalopolis with its apartment houses, clubs, cinemas, theaters, offices, factories, and restaurants. Here the herdist has ample opportunity to live the life of the masses, to lead an impersonal and lonely existence in a truly dehumanized ant heap, to love and like nobody but himself and perhaps those similar to him.
Now, there is a genuine social justice which proceeds not from the principle of equality, but from the principle: Suum cuique — to each his own. It is true that to deprive the workman of his just wage is not only a sin, but a sin that cries to heaven for vengeance. When one hinders social advance by putting barriers in the way of the diligent and the talented, one not only commits a personal injustice, but damages the common good of the whole nation, which always requires a genuine elite of ability and the contribution of extraordinary brainpower in every walk of life. And it would be socially unjust if a few individuals or certain groups had so much material wealth that, in consequence of this concentration of property and income, other classes had to live not only in povery, but in misery. Whoever lives in real abundance has a Christian duty to assist those living in wrechedness. Before we proceed, however, let us affirm that the notion of misery is different from that of poverty. Péguy has already drawn the distinction between pauvreté and misère. To live in misery means to suffer genuine physical privation: to know cold and hunger, to have no proper dwelling, to be dressed in rags, to be unable to secure medical attention. The poor, by contrast, have the necessities of life, but scarcely any more. They can borrow books, no doubt, but cannot buy them; they can hear music on the radio, but cannot afford a ticket to a concert; they cannot indulge in little extras of food and drink, but should, by self-discipline, be able to save a little. The poor have, therefore, the normal material preconditions for happiness — unless plagued by acquisitiveness or even envy, which has become a political force in the same measure as people have lost their faith. The fact that there are happy poor (alongside unhappy rich people) is beside the point. Demagogues know how to stir up terrible and murderous unrest even among the happy poor, as has been demonstrated clearly by the history of the left from Marat to Marx to Lenin to Hitler.
On the surface there was a strong monarchical, rightist, and "medievalist" reaction to be felt all over Europe; Chateaubriand, de Maistre, de Bonald, Schlegel, E. T. A. Hoffmann, Zacharias Werner, Clemens Brentano, the brothers Stolberg and Manzoni wrote their great works within this movement. Romanticism east of the Rhine was truly diversitarian and romantic. A wave of conversions swept over the Continent and the Tractarian movement in England was not far off. The Church seemed to regain her old influence. Yet, under the surface, the nationalists of the herdist pattern would render all efforts of the spiritual-intellectual elite illusory. The vast masses of Slav inhabitants of the East European plains began to raise their voices in favor of a union. And from the northwestern plains and islands another monster raised its head, another phenomenon bound to change the face of the earth — the Industrial Revolution. While Kaspar David Friedrich and Kriehuber painted mountain scenes and Schwind and Ludwig Richter dwelt on the subtle lore of small German towns, tall chimneys and great machines, heralding the advent of another scourge, made their appearance; while poets, painters, and princes spoke in glowing terms of the coming New Middle Ages a German of Jewish descent, horrified and bewildered by the spectacle of British industrialism, first conceived the ideas which a few years later led to the publication of the "Communist Manifesto."