Works in ChatGPT, Claude, or Any AI
Add semantic quote search to your AI assistant via MCP. One command setup.
" "Though patriarchy often claims a monopoly on rationality and reason, those committed to it will discount the most verifiable, coherent, ordinary story told by a woman and accept any fantastical account by a man, will pretend sexual violence is rare and false accusations common, and so forth.
Rebecca Solnit (born June 24, 1961) is an American writer. She has written on a variety of subjects, including feminism, the environment, politics, place, and art.
Biography information from Wikiquote
Add semantic quote search to your AI assistant via MCP. One command setup.
Related quotes. More quotes will automatically load as you scroll down, or you can use the load more buttons.
To write is to carve a new path through the terrain of the imagination, or to point out new features on a familiar route. To read is to travel through that terrain with the author as a guide — a guide one might not always agree with or trust, but who can at least be counted on to take one somewhere.
what is sometimes regarded as an inconsistency in the contemporary right-wing platform—the desire to regulate women’s reproductive activity in particular, and sexuality in general, while deregulating everything else—is only inconsistent if you regard women as people. If you regard women as an undifferentiated part of nature, their bodies are just another place a man has every right to go.
Lost really has two disparate meanings. Losing things is about the familiar falling away, getting lost is about the unfamiliar appearing. There are objects and people that disappear from your sight or knowledge or possession; you lose a bracelet, a friend, the key. You still know where you are. Everything is familiar except that there is one item less, one missing element. Or you get lost, in which case the world has become larger than your knowledge of it. Either way, there is a loss of control. Imagine yourself streaming through time shedding gloves, umbrellas, wrenches, books, friends, homes, names. This is what the view looks like if you take a rear-facing seat on the train. Looking forward you constantly acquire moments of arrival, moments of realization, moments of discovery. The wind blows your hair back and you are greeted by what you have never seen before. The material falls away in onrushing experience. It peels off like skin from a molting snake. Of course to forget the past is to lose the sense of loss that is also memory of an absent richness and a set of clues to navigate the present by; the art is not one of forgetting but letting go. And when everything else is gone, you can be rich in loss.