(You once said to me on the phone, “Follow your enthusiasms.”) I believe that. I used to be approached in classes by women who felt they shouldn’t ha… - Louise Glück
" "(You once said to me on the phone, “Follow your enthusiasms.”) I believe that. I used to be approached in classes by women who felt they shouldn’t have children because children were too distracting, or would eat up the vital energies from which art comes. But you have to live your life if you’re going to do original work. Your work will come out of an authentic life, and if you suppress all of your most passionate impulses in the service of an art that has not yet declared itself, you’re making a terrible mistake. When I was young I led the life I thought writers were supposed to lead, in which you repudiate the world, ostentatiously consecrating all of your energies to the task of making art. I just sat in Provincetown at a desk and it was ghastly—the more I sat there not writing the more I thought that I just hadn’t given up the world enough. After two years of that, I came to the conclusion that I wasn’t going to be a writer. So I took a teaching job in Vermont, though I had spent my life till that point thinking that real poets don’t teach. But I took this job, and the minute I started teaching—the minute I had obligations in the world—I started to write again.
About Louise Glück
Louise Elisabeth Glück (April 22, 1943 – October 13, 2023) was an American poet and essayist. From 2003 to 2004, she was Poet Laureate of the United States. She had won many major literary awards in the United States, including the National Humanities Medal, Pulitzer Prize, National Book Award, National Book Critics Circle Award, and Bollingen Prize, among others. In 2020, she was awarded the Nobel Prize in Literature, "for her unmistakable poetic voice that with austere beauty makes individual existence universal."
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You have to live your life if you're going to do original work. Your work will come out of an authentic life, and if you suppress all of your most passionate impulses in the service of an art that has not yet declared itself, you're making a terrible mistake. When I was young I led the life I thought writers were supposed to lead, in which you repudiate the world, ostentatiously consecrating all of your energies to the task of making art. I just sat in Provincetown at a desk and it was ghastly—the more I sat there not writing the more I thought that I just hadn't given up the world enough. After two years of that, I came to the conclusion that I wasn't going to be a writer. So I took a teaching job in Vermont, though I had spent my life till that point thinking that real poets don't teach. But I took this job, and the minute I started teaching—the minute I had obligations in the world—I started to write again.
Additional quotes by Louise Glück
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Tonight I saw myself in the dark window as
the image of my father, whose life
was spent like this,
thinking of death, to the exclusion
of other sensual matters,
so in the end that life
was easy to give up, since
it contained nothing: even
my mother's voice couldn't make him
change or turn back
as he believed
that once you can't love another human being
you have no place in the world.