I know as a writer how valuable a tool is the wastebasket. Perhaps God throws away many experiments before He finds the right expression. Perhaps we … - Isaac Bashevis Singer

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I know as a writer how valuable a tool is the wastebasket. Perhaps God throws away many experiments before He finds the right expression. Perhaps we are the discards — or we could be the part He keeps. This mystery is what keeps us all going, to see what happens in the next chapter.

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About Isaac Bashevis Singer

Isaac Bashevis Singer (Yiddish: יצחק באַשעװיס זינגער or יצחק בת־שבֿעס זינגער; pseudonym: Icek Hersz Zynger;[1] born 21 November 1902 as Icek Zynger, died 24 July 1991) was a Polish-American writer of short stories and novels in Yiddish; he used his mother's name in devising his penname "Bashevis" (son of Bathsheba). He received the Nobel Prize in Literature in 1978.

Biography information from Wikiquote

Also Known As

Native Name: יצחק זינגער
Alternative Names: Isaac Bashevis-Singer Yitsḥoḳ Basheṿis Yitsḥaḳ Basheṿis-Zinger Yitsḥaḳ Basheṿis- Zinger I. B. Singer Itzhak Bashevis Singer Yitsḥoḳ Bashevis-Zinger Isaac Bashevis Yitsḥaḳ Basheṿis Yitsḥoḳ Bashevis- Zinger Isaac Singer
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Additional quotes by Isaac Bashevis Singer

"When the ship approached the equator, I stopped going out on deck in the daytime. The sun burned like a flame. The days had shortened and night came swiftly. One moment it was light, the next it was dark. The sun did not set but fell into the water like a meteor. Late in the evening, when I went out briefly, a hot wind slapped my face. From the ocean came a roar of passions that seemed to have broken through all barriers:'We mus procreate and multiply! We must exhaust all the powers of lust!' The waves glowed like lava, and I imagined I could see multitudes of living beings - algae, whales, sea monsters - reveling in an orgy, from the surface to the bottom of the sea. Immortality was the law here. The whole planet raged with animation. At times, I heard my name in the clamor: the spirit of the abyss calling me to join them in their nocturnal dance. ("Hanka")"

Every creator painfully experiences the chasm between his inner vision and its ultimate expression. The chasm is never completely bridged. We all have the conviction, perhaps illusory, that we have much more to say than appears on the paper.

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There are some who call Yiddish a dead language, but so was Hebrew called for two thousand years. It has been revived in our time in a most remarkable, almost miraculous way. Aramaic was certainly a dead language for centuries but then it brought to light the Zohar, a work of mysticism of sublime value.

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