The other, more nebulous, but very strong influence of RPGs was the weird fetish for systematization, the way everything is reduced to “game stats.” … - China Miéville

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The other, more nebulous, but very strong influence of RPGs was the weird fetish for systematization, the way everything is reduced to “game stats.” If you take something like Cthulhu in Lovecraft, for example, it is completely incomprehensible and beyond all human categorization. But in the game Call of Cthulhu, you see Cthulhu’s “strength,” “dexterity,” and so on, carefully expressed numerically. There’s something superheroically banalifying about that approach to the fantastic. On one level it misses the point entirely, but I must admit it appeals to me in its application of some weirdly misplaced rigor onto the fantastic: it’s a kind of exaggeratedly precise approach to secondary world creation.

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About China Miéville

China Miéville (born 6 September 1972) is a Hugo, Arthur C. Clarke and Locus award-winning English fantastic fiction writer.

Also Known As

Native Name: China Tom Miéville
Alternative Names: China Mieville China Tom Mieville

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Faint cries and industrial drones sounded from dark windows set into its brick banks, some of them below the high-water mark. Prisons and torture-chambers and workshops, and their bastard hybrids, the punishment factories, where the condemned were Remade.

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