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" "By representing "home" — the place we go to be loved, nurtured and fed — has become a kind of symbolic mother to us all. She is also, of course, the symbolic mother that we feel we ought to be. Right through the last century, brides were given a "Mrs Beeton" on their wedding day as a to help them become the kind of woman that everyone, but especially their own mothers, expected. Young women setting off for married life in India, Australia or Canada were similarly presented with a "Mrs Beeton" by which it was hoped they would carry the mother culture far into places where previously only chaos and savagery — in other words, un-Englishness — had reigned.
So there is a kind of pleasing logic to the fact that the original Mrs Beeton's Book of Household Management of 1861 was written to plug a gap where existing maternal relations had broken down. In the mid-19th century, middle-class women were, for the first time in history, more likely than not to be living at some distance from their native communities. Rapid urbanisation and the arrival of the railways meant that married life now involved setting up home sometimes hundreds of miles from the house where you were born. Where once you had been able to pop next door to ask mother's advice on a baby's cough or the best way to stone currants, now there was no one to consult. It was to fill this blind spot that a 21-year-old newly married woman, Isabella Beeton, decided to compile an encyclopaedia of domestic know-how, creating a paper and print version of Mother.
(born 1959) is an English biographer, historian, journalist, and professor emerita in the School of Literature, Drama and Writing at the . Her book George Eliot: The Last Victorian was awarded the 1999 for biography. Hughes, an expert on the , has contributed articles to , , , and .
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In 1925 a man called Dan Rider was inspecting the pauper wards of in . He was a volunteer visitor, a member of the public charged with checking on the welfare of those unhappy souls who had been deemed insane and sent to what was still known colloquially as the Surrey County Lunatic Asylum. During his tour Rider 'noticed a quiet little man drawing cats': 'Good Lord, man, you draw like .' 'I am Louis Wain,' replied the patient. 'You're not, you know,' I exclaimed. 'But I am,' said the artist, and he was.