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" "What is always overlooked is that although the poor want to be rich, it does not follow that they either like the rich or that they in any way want to emulate their characters which, in fact, they despise. Both the poor and the rich have always found precisely the same grounds on which to complain about each other. Each feels the other has no manners, is disloyal, corrupt, insensitive — and has never put in an honest day's work in its life.
Elaine Dundy (1 August 1921 – 1 May 2008) was an American novelist, biographer, journalist, actress and playwright.
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I didn't know Elvis was alive until he was dead. But how many stories are like mine? Until his death August 16, 1977, it was possible to get through a day without hearing his name. Of course I remember all the early outrage he caused but believe me it was easy not to see any of his films. It doesn't mean that music has not always dominated my heart and mind. During the years barren of Elvis I did have my record player on constantly but it was playing folk, blues, and jazz. It was playing Al Jolson, Maurice Chevalier, Billie Holiday, Ethel Merman, and Noel Coward. The human voice raised in song has always been important to me so I include Miles Davis whose trumpet is such an important human voice. Then after his death in London in taxis, on radio and TV I heard nothing but Elvis records and that grabbed my attention.
In London, aside from bit parts, I was unlucky in my career but I was lucky in love. There was a theatrical club much frequented by all the young lions on their way up. They all gathered to eat inexpensively and be made blissful by the lethal house cider. It was there I met Ken Tynan, recently down from Oxford, and already the enfant terrible of Britain’s drama critics. Mutually magnetized, we married three months later. I sent a wire to my parents in New York: "Have married Englishman. Letter follows." I was madly in love with him and stepped happily into the Wonderland of his fame.
I'd always prided myself on how unlike my books were from each other in settings and subject matter. But not until late in my career did I realize that a single thread ran through them, that I'd used the same strategy to catch the reader's attention. It is the old Western movie gimmick: A Stranger Comes to Town. I am that Stranger. Together with the reader I will discover what's going on in that town whether it be Paris, London, New York, Sydney, Tupelo, Ferriday — or in a women's federal prison. And eventually we will make sense of it.