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" "In poetry, my grandmother is much more vicious and hurtful…In the book, she comes across as this likable character. And she was! She was always the life of the party, a fun-loving person. ... In the poetry my mother is more of a martyr, always suffering from leaving her whole family in Cuba. But in the book she’s like this control freak, like this warden of the house. I realized that was her psychological response to the loss she had experienced: She wanted to control life. She couldn’t tolerate one more loss in her life.”
Richard Blanco (born February 15, 1968) is an American poet, public speaker, author and civil engineer.
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I would first need to acknowledge that the mere act of creating something that questions the world and one’s life in it, that exercises one’s imagination, or that even pens something simply for the sake of beauty, is a kind of politics because it is determined to create awareness of some kind in some context…
I make reference in my writing to many of the Afro-Cuban deities and superstitions that migrated into Catholicism in the Caribbean from the West African religious practices of Yoruba. This resulted in a more fatalistic and mythological "brand" of Catholicism that holds a blurrier line between the living and the dead, between the "here" and the "after." This spiritual stance I think is reflected in many of my characters…
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Revise, revise, revise—a poem is never done. That’s the mantra ingrained in most of us. While, of course, I do believe revision is key, I also believe there are other notions to consider. I’ve found that revision for the sole sake of revision is usually a waste of time. I don’t revise unless I am inspired to revise with some direction…