If you want him defined, here he is: a prime, well-fed beast such as takes medals at the cattle shows, and nothing more," he said, with a tone of vex… - Leo Tolstoy

Aesthetic theories arose one hundred fifty years ago among the wealthy classes of the Christian European world. ...And notwithstanding its obvious insolidity, nobody else's theory so pleased the cultured crowd or was accepted so readily and with such absence of criticism. It so suited the people of the upper classes that to this day, notwithstanding its entirely fantastic character and the arbitrary nature of its assertions, it is repeated by the educated and uneducated as though it were something indubitable and self-evident.

Feelings, the most diverse, very strong and very weak, very significant and very worthless, very bad and very good, if only they infect the reader, the spectator, the listener, constitute the subject of art.

Slavery exists in full vigor, but we do not perceive it, just as in Europe at the end of the Eighteenth Century the slavery of serfdom was not perceived. People of that day thought that the position of men obliged to till the land for their lords, and to obey them, was a natural, inevitable, economic condition of life, and they did not call it slavery. It is the same among us: people of our day consider the position of the laborer to be a natural, inevitable economic condition, and they do not call it slavery. And as, at the end of the Eighteenth Century, the people of Europe began little by little to understand that what formerly seemed a natural and inevitable form of economic life-namely, the position of peasants who were completely in the power of their lords-was wrong, unjust and immoral, and demanded alteration, so now people today are beginning to understand that the position of hired workmen, and of the working classes in general, which formerly seemed quite right and quite normal, is not what it should be, and demands alteration.