I, who could not decipher or understand one thousandth part of those millions of scripts, books, pictures and references in the archives! Humbled, un… - Hermann Hesse

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I, who could not decipher or understand one thousandth part of those millions of scripts, books, pictures and references in the archives! Humbled, unspeakably foolish, unspeakably ridiculous, not understanding myself, feeling extremely small, I saw myself... p. 76

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About Hermann Hesse

Hermann Karl Hesse (2 July 1877 – 9 August 1962) was a German-Swiss poet, novelist, and painter. In 1946, he received the Nobel Prize in Literature. His most famous works include Steppenwolf, Siddhartha, and The Glass Bead Game (also known as Magister Ludi) all of which explore an individual's search for spirituality.

Biography information from Wikiquote

Also Known As

Native Name: Hermann Karl Hesse
Alternative Names: Hh. Hesse Herman Hesse
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Additional quotes by Hermann Hesse

The opposite of every truth is just as true! That's like this: any truth can only be expressed and put into words when it is one-sided. Everything is one-sided which can be thought with thoughts and said with words, it's all one-sided, all just one half, all lacks completeness, roundness, oneness. When the exalted Gotama spoke in his teachings of the world, he had to divide it into Sansara and Nirvana, into deception and truth, into suffering and salvation. It cannot be done differently, there is no other way for him who wants to teach. But the world itself, what exists around us and inside of us, is never one-sided. A person or an act is never entirely Sansara or entirely Nirvana, a person is never entirely holy or entirely sinful. It does really seem like this, because we are subject to deception, as if time was something real. Time is not real, Govinda, I have experienced this often and often again. And if time is not real, then the gap which seems to be between the world and the eternity, between suffering and blissfulness, between evil and good, is also a deception.

Isolated here in the North, planted long ago by a Roman pilgrim, a chestnut grew, strong and solitary, by the colonnade of rounded double arches at the entrance to the cloister of Mariabronn: a noble, vigorous tree, the sweep of its foliage drooping tenderly, facing the winds in bold and quiet assurance; so tardy in spring that when all glowed green around it and even the cloister nut trees wore their russet, it awaited the shortest nights to thrust forth, through little tufts of leaves, the dim exotic rays of its blossom, and in October, after wine and harvests had long been gathered, let drop the prickly fruits from its yellowing crown... The lovely tree, aloof and tender, shadowed the entrance to the cloister, a delicate, shuddering guest from a warmer clime, secretly akin to the slender double columns of the gateway, the pillars and mouldings of the window arches, loved by all Latins and Italians, gaped at, as a stranger, by the inhabitants. Ch. I

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