I'd like to be a fairy princess — a little golden doll with gossamer wings, in a voile dress, adorned with bright, shiny things. I see that as something totally pure and beautiful. Everything that's realistic has some sort of ugliness in it. Even a flower is ugly when it wilts, a bird when it seeks its prey, the ocean when it becomes violent. I'm very sensitive to ugly situations. I'm quick to read people, and I pick up if someone's reacting to me as just a sexy blonde. At times like that, I freeze. I can be very alone at a party, on the set, or in general, if I'm not in harmony with things around me.
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And I am very ugly. I am the ugliest fairy in the world; and I shall be, till people behave themselves as they ought to do. And then I shall grow as handsome as my sister, who is the loveliest fairy in the world; and her name is Mrs. Doasyouwouldbedoneby. So she begins where I end, and I begin where she ends; and those who will not listen to her must listen to me, as you will see.
Because so many of our writers were born in ugly environments, in monstrous poverty and humilitation, they continue to assert that this is the natural environment, reality, and that beauty is artifice. Why should the natural state be ugliness? Natural to whom? We may be born in ugliness, but the natural consequences should be a thirst for its opposite. To mistake ugliness for reality is one of the frauds of the realistic school. A hunger for the unknown, and an aspiration towards beauty were inseparable from civilization. In America the word art was distorted to mean artificial. We are born with the power to alter what we are given at birth. When the Japanese paint flowers or the sea on a kimono they mean to establish a link with nature. But they select only what is beautiful in nature to maintain their love of life. The creative personality never remains fixed on the first world it discovers. It never resigns itself to anything. That is the deepest meaning of rebellion, not the wearing of different clothes, haircuts, or the adopting of other cultures.
Many things that if you’re attractive it for us become ugly to us when we gain deeper knowledge: a building that took an oppressed class to build, a tool that will not hold an edge, clothes that shrink or fade on Washington. Are these beautiful? That way we answer this question is momentous impact for our concept of society.
When you think that you are beautiful, you are liable to think that you are more beautiful than others, and such a thought is not a beautiful thought. To recognize or criticise ugliness and inferiority in others is to create the inferior and the ugly in yourself, and what you create in yourself will sooner or later be expressed through your mind and personality.
Beauty is, in some way, boring. Even if its concept changes through the ages… a beautiful object must always follow certain rules. A beautiful nose shouldn’t be longer than that or shorter than that, on the contrary, an ugly nose can be as long as the one of Pinocchio, or as big as the trunk of an elephant, or like the beak of an eagle, and so ugliness is unpredictable, and offers an infinite range of possibility. Beauty is finite, ugliness is infinite like God.
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