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The fundamental principle underlying all justifications of war, from the point of view of human personality, is 'heroism'. War, it is said, offers ma… - Julius Evola
" "The fundamental principle underlying all justifications of war, from the point of view of human personality, is 'heroism'. War, it is said, offers man the opportunity to awaken the hero who sleeps within him. War breaks the routine of comfortable life; by means of its severe ordeals, it offers a transfiguring knowledge of life, life according to death. The moment the individual succeeds in living as a hero, even if it is the final moment of his earthly life, weighs infinitely more on the scale of values than a protracted existence spent consuming monotonously among the trivialities of cities. From a spiritual point of view, these possibilities make up for the negative and destructive tendencies of war, which are one-sidedly and tendentiously highlighted by pacifist materialism. War makes one realise the relativity of human life and therefore also the law of a 'more-than-life', and thus war has always an anti-materialist value, a spiritual value.
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About Julius Evola
Julius Evola (19 May 1898 – 11 June 1974) was an Italian far-right philosopher. Evola regarded his values as aristocratic, monarchist, masculine, traditionalist, heroic, and defiantly reactionary. An eccentric thinker in Fascist Italy, he also had ties to Nazi Germany; in the post-war era, he was an ideological mentor of the Italian neo-fascist and militant Right.
Also Known As
Native Name:
Giulio Cesare Andrea Evola
Alternative Names:
Giulio Evola
•
Baron Evola
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To fight on "the path of God" has been characterized as "medieval" fanaticism; conversely, it has been characterized as a most sacred cause to fight for "patriotic" and "nationalistic" ideals and for other myths that in our contemporary era have eventually been unmasked and shown to be the instruments of irrational, materialistic, and destructive forces... Soldiers went to the front to experience war as something else, namely, as a crisis that all too often did not turn out to be an authentic and heroic transfiguration of the personality, but rather the regression of the individual to a plane of savage instincts, "reflexes," and reactions that retain very little of the human...
Love for distance and order, the ability to subordinate one's individualistic and passionate element to principles, the ability to take action and work above mere personhood, a feeling of dignity devoid of vanity are features of the true warrior spirit as essential those which refer to actual combat.
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The enormous and spontaneous spread of jazz in the modern world shows that meanings no different from those of the physico-cerebral "classical" music, which superseded nineteenth-century bourgeois melodrama and pathos, have in fact thoroughly penetrated the younger generation. But there are two sides to this phenomenon. Those who once went crazy for the waltz or delighted in the treacherous and conventional pathos of melodrama, now find themselves at ease surrounded by the convulsive-mechanical or abstract rhythms of recent jazz, both "hot" and "cool," which we must consider as more than a deviant, superficial vogue. We are facing a rapid and central transformation of the manner of listening, which is an integral part of that complex that defines the nature of the present. Jazz is undeniably an aspect of the resurfacing of the elemental in the modern world, bringing the bourgeois epoch to its dissolution.
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