The reason the Internationalist Theatre productions demanded attention was that the directors who had already worked at top theatres like the Royal C… - Angelique Rockas

At the end of my course I realized there was no place for me in South Africa because I found it difficult to function in a society that considered 75% of population inferior, that my community frowned on me as an actress, and my beliefs for a non-racial society now incorporated a fight for the equality for women an anathema to my conservative Greek community. I did not want to spend my life apologizing for who I was.

..the gift of Orthodoxia : The call by the Christ not to be just good moral and ethical beings, which is where the western Churches stop- but to go beyond that , to be 'theanthropic", to reflect the generosity and magnificence and beauty of the Christ.

I myself have experienced the volcanic existential depths of the Greek language. It was during a performance of Medea by Tzeni Karezi at the Herod Atticus theatre in Athens ,when she was pleading to the callous Jason to take pity on her and she used the word ' splachniasou'. 'Pity' is too weak a word to describe the emotional and psychological depths ' splachniasou' expresses. 'Splachna 'is the part of the body where a woman carries her unborn children, the very root of ontological existence. How deep can you get!