Pearl kissed his lips. A spell was broken. The great scene of grief, in which the wild infant bore a part, had developed all her sympathies; and as her tears fell upon her father's cheek, they were the pledge that she would grow up amid human joy and sorrow, nor forever do battle with the world, but be a woman in it.

She wanted — what some people want throughout life — a grief that should deeply touch her, and thus humanize and make her capable of sympathy.

Let the tears which fell, and the broken words which were exchanged in the long close embrace between the orphans, be sacred. A father, sister, and mother, were gained, and lost, in that one moment. Joy and grief were mingled in the cup; but there were no bitter tears: for even grief arose so softened, and clothed in such sweet and tender recollections, that it became a solemn pleasure, and lost all character of pain.

What sorrow was, thou bad'st her know, And from her own she learned to melt at others' woe.

Now it has been said from ancient times that all women who weep may be divided into three sorts. There are those who lift up their voices and their tears flow and this may be called crying; there are those who utter loud lamentations but whose tears do not flow and this may be called howling; there are those whose tears flow but who utter no sound and this may be called weeping. Of all those women who followed Wang Lung in his coffin, his wives and his sons’ wives and his maid servants and his slaves and his hired mourners, there was only one who wept and it was Pear Blossom.

Do you not see what sort of life Nature has promised us—she who decreed that the first act of man at birth should be to weep?

There is a sacredness in tears....They are the messengers of overwhelming grief, of deep contrition and of unspeakable love.

Nature was beautiful, even in her tears

The woman from the depths of her rags, a waif, a martyr — smiled. She must have a divine heart to be so tired and yet smile. She loved the sky, the light, which the unformed little being would love some day. She loved the chilly dawn, the sultry noontime, the dreamy evening. The child would grow up, a saviour, to give life to everything again. Starting at the dark bottom he would ascend the ladder and begin life over again, life, the only paradise there is, the bouquet of nature. He would make beauty beautiful. He would make eternity over again with his voice and his song. And clasping the new-born infant close, she looked at all the sunlight she had given the world. Her arms quivered like wings. She dreamed in words of fondling. She fascinated all the passersby that looked at her. And the setting sun bathed her neck and head in a rosy reflection. She was like a great rose that opens its heart to the whole world.

You are a woman marked for sorrow.

And her joy was nearly like sorrow.

How deep must be the feeling of the bereaved parent who cannot look on the fair face of his child without recalling a face, once the fairest and the dearest in the world: the shadow of the grave hangs around the infant playfulness of the orphan, and even the hopes of the present must come tinged with something of sadness from the past.

Can I see anothers woe,
And not be in sorrow too.
Can I see anothers grief,
And not seek for kind relief.

Can I see a falling tear.
And not feel my sorrows share,
Can a father see his child,
Weep, nor be with sorrow fill'd.

Can a mother sit and hear,
An infant groan, an infant fear-
No no never can it be,
Never, never can it be.

The common growth of Mother Earth Suffices me,—her tears, her mirth, Her humblest mirth and tears.