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" "At a deeper level what this whole exchange revealed to me was something disturbing about the way science works. I hadn't quite grasped the role of fear before. But I could see it in action everywhere here: fear of being 'noticed and monitored by colleagues,' fear of unwanted negative celebrity, fear of indignity, fear of loss of reputation, fear of loss of career — and not for committing some terrible crime but simply for exploring unorthodox possibilities and undertaking 'somewhat controversial research' into what everyone agrees were extraordinary events 12,800 years ago.
Worse still, this pervasive state of fear has somehow ingrained itself so deeply into the fabric of science that those who have embraced unorthodox possibilities themselves are often among the least willing to consider unorthodox possibilities embraced by others — lest by doing so they 'contaminate' their own preferred unorthodoxy.
How will it ever be possible to discover the truth about the past when so much fear gets in the way?
Graham Hancock (born 2 August 1950) is a British writer who promotes pseudoarchaeological and other pseudoscientific theories involving ancient civilizations and hypothetical lost lands. He has been the subject of the Netflix series Ancient Apocalypse (2022).
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The entire pre-Columbian literature of Mexico, a vast library of tens of thousands of codices, was carefully and systematically destroyed by the priests and friars who followed in the wake of the conquistadors. In November 1530, for example, Bishop Juan de Zumárraga, who had shortly before been apointed 'Protector of the Indians' by the Spanish crown, proceeded to 'protect' his flock by burning at the stake a Mexican aristocrat, the lord of the city of Texcoco, whom he accused of having worshipped the rain god. In the city's marketplace Zumárraga 'had a pyramid formed of the documents of Aztec history, knowledge and literature, their paintings, manuscripts, and hieroglyphic writings, all of which he committed to the flames while the natives cried and prayed.'
More than 30 years later, the holocaust of documents was still under way. In July 1562, in the main square of Mani (just south of modern Merida in the Yucatan), Bishop Diego de Landa burned thousands of Maya codices, story paintings, and hieroglyphs inscribed on rolled-up deer skins. He boasted of destroying countless 'idols' and 'altars,' all of which he described as 'works of the devil, designed by the evil one to delude the Indians and to prevent them from accepting Christianity.' Noting that the Maya 'used certain characters or letters, which they wrote in their books about the antiquities and their sciences' he informs us: 'We found a great number of books in these letters, and since they contained nothing but superstitions and falsehoods of the devil we burned them all, which they took most grievously and which gave them great pain.