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The possibilities of developing the sense of movement in a sculpture are inherent in the material and in the technique, that is to say, forming, bend… - Richard Hunt
" "The possibilities of developing the sense of movement in a sculpture are inherent in the material and in the technique, that is to say, forming, bending, stretching, cutting, and twisting metal parts. I like to suggest movement or give an impression of movement.
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About Richard Hunt
Richard Hunt (sculptor) (born September 12, 1935) is an American sculptor. In the second half of the 20th century, he became "the foremost African-American abstract scul ptor and artist of public sculpture." Hunt studied at the School of the Art Institute of Chicago in the 1950s. While there received multiple prizes for his work. In 1971, he was the first African American sculptor to have a retrospective at the Museum of Modern Art. Hunt has created over 160 public sculpture commissions, more than any other sculptor in prominent locations in 24 states across the United States. With a career spanning seven decades, Hunt has held over 170 solo exhibitions and is represented in more than 125 public museums across the world.
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I am a Chicago artist because I am from this city; I'm a Black artist because I happen to be Black. These descriptions are sometimes useful to other people. But I'm also many other things—a man, a human being, an artist. Artists have a unique opportunity to make a difference . . . to look and work toward the future. Most people, by the nature of their work, have to think about what's happening now, to serve as kind of custodians of our culture; but artists have the opportunity and responsibility to be forward-looking. We have the job of creating new ideas and visions for the future, and I'm pleased to be a part of that.
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